The focus of his article is not a trip to remember, but to express his feelings about life and debate the meaning of life. So it is very lyrical and philosophical. However, this philosophy is not embodied by abstract philosophical language and pure logical thinking, but by ingenious emotional means based on situations and analogies, which unifies scene description, lyricism and reasoning, and image and philosophy. The first paragraph of the article describes the scenery. With the picturesque beauty of "the wind rises from Xu, the water waves are quiet" and "the moon rises from Dongshan and lingers in the bullfight room", the feelings of Perilla are expressed. This is because the blending of emotion and scene is the inherent expression of China's lyric literature, and Su Shi's fu is no exception. But its significance goes far beyond this. As the basis of this paper, the river and the bright moon only pave the way for the later discussion and reasoning, and the author also wants to compare people with things. The second paragraph restrains the guest's argument with the saying that "the legacy echoes in the hate platform", and expresses the author's nihilistic and negative outlook on life with the help of concrete realistic natural images. In the third paragraph, Perilla retorted that he used the phrase "the guest knows that the water and the moon are different" at the beginning, and then compared the water with the moon, explaining in simple terms that things have the duality of change and unchanging. In order to show his love for life, the author is also handy, with "the breeze in the river and the bright moon in the mountains" representing the beautiful things in nature. Throughout the whole article, the discussion makes the scenery have subtle philosophical connotation, the description of the scenery makes philosophy present a vivid and sensible image, and lyricism becomes the internal context of the article. The three are integrated, complementary and interesting.