This kind of poetry refers to the poet's empathy for the right and wrong of historical figures or events when reading historical books or visiting places of interest, which leads to the sound of * * about the current situation or his own life experience, or satirizing the present through the ancient times, or understanding personal experiences, or criticizing social reality. Some eulogizing history and remembering ancient poems are just a calm and rational reflection and evaluation of history, or just an objective narrative. The poet's own experience is not in it, but the poet's feeling is just a sound outside the painting.
Because poetry involves history, it is difficult to read and appreciate. The official symbol of poems chanting for the past is that there are monuments and ancient names in the title, or "chanting" is the front, or "remembering the past" and "chanting" are added after monuments and ancients.
The content is characterized by loyalty to the country, patriotism and love for the people, and defending the country. Emotional tendency is to express the ambition of making achievements like the ancients and to express the memory of the ancients; Express the feelings of ups and downs in the past, imply dissatisfaction or even criticism of reality, and use the past to satirize the present; When worrying about the country, expose the fatuity and decay of the rulers, sympathize with the sufferings of the lower classes, and worry about the future and destiny of the country and the nation; Sigh that the years have passed, the ambition is hard to pay, and there is no way to serve the country.
2. The artistic features of the combination of ancient and modern poetry.
Through the poet's nostalgia for ancient characters and deeds, ancient poems distorted historical facts and reality and expressed the poet's distinct emotional intentions. This kind of poetry is the poet's empathy for the right and wrong of historical figures or events when reading historical books or visiting places of interest, which leads to a kind of * * sound about the current situation or his own life experience, or satirizing the present by borrowing from the past, or feeling personal experience, or criticizing social reality. Some eulogizing history and remembering ancient poems are just a calm and rational reflection and evaluation of history, or just an objective narrative. The poet's own experience is not in it, but the poet's feeling is just a sound outside the painting. Because poetry involves history, it is difficult to read and appreciate.
The official symbol of poems chanting for the past is that there are monuments and ancient names in the title, or "chanting" is the front, or "remembering the past" and "chanting" are added after monuments and ancients. The content is characterized by loyalty to the country, patriotism and love for the people, and defending the country. Emotional tendency is to express the ambition of making achievements like the ancients and to express the memory of the ancients; Express the feelings of ups and downs in the past, imply dissatisfaction or even criticism of reality, and use the past to satirize the present; When worrying about the country, expose the fatuity and decay of the rulers, sympathize with the sufferings of the lower classes, and worry about the future and destiny of the country and the nation; Sigh that the years have passed, the ambition is hard to pay, and there is no way to serve the country.
3. What are the characteristics of Liu Yuxi's poems? Liu Yuxi (772-842), the word Dream, was born in Lushan and Pengcheng (now Xuzhou, Jiangsu) in his later years, and he is a descendant of Xiongnu.
Poet and philosopher in the middle and late Tang Dynasty. His family is a scholarly family handed down from generation to generation by Confucianism.
Advocating political innovation is one of the core figures of the Wang school's political innovation activities. There are more than 800 poems in existence.
His poems study folk songs, reflect people's life and customs, have a wide range of themes, and draw lessons from the implicit, simple and beautiful characteristics of Bashu folk songs in style, which are fresh and natural, healthy and lively, and full of life interest. His satirical poems often use allegorical excuses to attack and suppress the innovative dignitaries in Yongzhen, which involves a wide range of social phenomena.
In his later years, his style became more subtle, ironic and unobtrusive. Liu Yuxi's ears are full of knowledge. He is smart, sensitive and studious. He only learned from childhood and has extraordinary endurance.
He 19 years old studied in Chang 'an and wrote to the imperial court. At the age of 21, he and Liu Zongyuan were admitted to the same list of Jinshi.
In the same year, he was admitted to the department of erudite macro words. Later, he was politically dissatisfied and was demoted to Langzhou Sima.
Instead of indulging in self-indulgence, he wrote with a positive and optimistic spirit, actively learned from folk songs, and created poems imitating folk songs such as Picking Ling Xing. Liu Yuxi was once sent back to Beijing by imperial edict, and was demoted as a secretariat of Lianzhou because of his poem "Peach trees in Du Xuan Guanli were planted after Liu Lang left".
Later, he was appointed as Jiangzhou Secretariat, where he wrote a lot of Zhi Zhu Ci. Many famous sentences are widely read.
In the summer of 824, he wrote the famous "Missing in Old Times" in Xipaotai Mountain: "Wang Zhuolou disembarked from Yizhou, and the imperial ghost has languished in Nanjing. The long Zhang Qian chain sank to the bottom of the river, and a flag was lowered on the stone wall.
How many sad past in life, the mountains still remain cold. Since then, the world has belonged to one another, and rushes are whistling in the old base.
"This poem has been greatly appreciated by later literary critics and is regarded as a masterpiece of Tang poetry with endless meanings. Later, after several transfers, Liu Yuxi was sent to Suzhou as a secretariat.
At that time, Suzhou was flooded and there was hunger everywhere. After he came to power, he opened a warehouse to relieve hunger, exempted taxes and reduced labor, and soon brought the people out of the disaster and lived a life of peace and contentment.
Suzhou people loved him and thanked him, so they called Wei and Bai Juyi, who had been the secretariat in Suzhou, "three sages" and established the hall of three sages. The emperor also praised his achievements and gave him a purple and gold fish bag.
Liu Yuxi returned to Luoyang in his later years, making guest appearances as a prince, making friends and writing poems, and living a leisurely life. After his death, he was posthumously appointed Minister of the Interior.
The Humble Room Inscription written by Liu Yuxi has a full text of ***8 1 with meticulous words. But many people may not know that this masterpiece was written by Liu Yuxi in anger.
In the ninth year of Zhenyuan (793), Liu Yuxi became a distinguished guest of the Prince's seat after he was a scholar, and he also checked the history of the school, making his career prosperous. Later, he was exiled to Anhui and Zhou Zuoguan because he took part in Wang Yongzheng's political reform and offended the powerful ministers in the DPRK.
According to the regulations of the local government at that time, he should live in the official residence of Yamen Miyake. However, Hezhou magistrate is a snob. When he saw Liu Yuxi being demoted, he made things difficult.
First, he was arranged to live in the south gate of the county. Soon, he was asked to move to the north gate, from the original three rooms to one and a half rooms. Soon, he was asked to move to the city. In the past six months, I have moved three times in a row, and the housing is getting smaller and more humble, and the whole family can't settle down at all.
Liu Yuxi felt that the county magistrate was deceiving others too much. He angrily wrote the article "The Inscription of the Humble Room" and asked the great calligrapher Liu Gongquan to write an inscription and stand in front of the door as a "memorial", which made a sensation for a while. Liu Zongyuan, who was demoted as the secretariat of Liuzhou, Guangxi, is a scholar in the same list as Liu Yuxi, who is paid for poetry and has a deep friendship.
When he was reading "Humble Room Inscription", he learned that Liu Yuxi had been snubbed by snobs and was resentful. He immediately wrote to the court asking: "I'd rather trade my assigned Liuzhou for Hezhou, although I got a felony, but I don't hate it." Although it has not been approved, we can see the noble quality of "a friend in need is a friend indeed, and a scholar is more blind".
The vicissitudes of life are like years. Snobbers have already turned into loess, but Liu Yuxi's "Humble Room Inscription" shines in history and lasts forever.
In the ninth year of Yuan Dynasty, he was a scholar, entered the erudite course, and was awarded the supervision suggestion. He was demoted to Sima Langzhou and moved to Lianzhou as a secretariat because he participated in the King's political reform and opposed the separatist forces of eunuchs and buffer regions. Later, due to the recommendation of Prime Minister Pei Du, he was appointed as a prince guest, and was added as a collating department history, called Liu Ke.
He befriended Liu Zongyuan, known as "Liu Liu", and often sang with Bai Juyi, also known as "Bai Liu". His poetry style is fresh and implicit, and he is good at absorbing the essence of folk songs and reflecting social life.
4. The style features of the poem "Sheep Nostalgia on Tongguan Hillside" are as follows: 1. Description of the magnificent scenery.
Second, the emotional expression of sadness and depression. Third, the artistic conception is lofty and profound.
The specific appreciation is as follows: In writing, the author adopts a step-by-step approach, from writing scenery to recalling the past, and then triggering discussion, which perfectly combines boundless scenery, deep emotions and careful comments, making this poem have a strong appeal. There are historical vicissitudes and a sense of the times between the lines, which not only have the characteristics of homesick poems, but also have a unique depressed style.
First, the majestic scenery description. "The peaks are like gathering, the waves are like anger, and the mountains and rivers are on Tongguan Road."
At the beginning of Sanqu, vivid metaphors and personification highlight the magnificence of mountains and rivers and lay a magnificent emotional tone for the whole song. A word "ju" shows numerous peaks and gives people a sense of movement. A word "anger" describes the surging waves and gives the river people feelings.
The author did not simply write about the scenery, but permeated his strong subjective feelings in the description of the landscape. The rolling mountains, after reading all the vicissitudes of life, seem to witness the suffering of the people, and the roaring Yellow River seems to accuse the rulers of past dynasties of their sins.
It can really be said that "all scenery words are love words"! Second, the emotional expression of grief and depression "Looking to the west, the meaning is still unfinished. Sad in the Qin and Han Dynasties, thousands of officials made pollution. "
Looking at Chang 'an in the west and crossing the capital of Han and Tang Dynasties, the author has infinite feelings about its prosperity in history and its current situation. The national consciousness is vaguely revealed here, that is, the recollection of the strong period of the Han nationality, and the thoughts and feelings are extremely complicated. Perhaps this is the reason for "hesitation"! From Chang 'an to the rise and fall of Qin and Han Dynasties, the author emphasized the word "sadness", adding infinite desolation and sadness.
Obviously Tongguan is nostalgic, but it has expanded its vision to the road from Zhaguan to the western capital, and is associated with the Li nationality who fled Guanzhong. They walked in groups and struggled on the road. "Yuan Shi" records: "In the past two years, there was a great drought in Guanzhong, and the hungry people ate each other."
The author will naturally see this tragic scene on his way to his post. However, the author did not directly write about refugee groups, but picked up a pen to write about the past ups and downs here, without saying anything.
The palaces, pavilions, dance pavilions and singing platforms of Emperor Qin Shihuang and Emperor Wu Han have now disappeared into the dust. How can it not make people sad! However, what saddens me more is how much people's money and people's cream these official halls have consumed! This strongly expresses the author's complex thoughts and feelings of great sympathy for the working people and great disappointment with the ruling class. Third, the lofty and profound artistic conception This nostalgic song is neither expressing nostalgia from the standpoint of a scholar-bureaucrat, lamenting the change of dynasties and the ups and downs of the world, nor lamenting one's own misfortune from the perspective of a down-and-out literati, but judging history from the sufferings of people's livelihood, and its ideological realm is much higher than that of ordinary nostalgic works.
"I am not afraid of clouds to cover my eyes, I am at the highest level." Standing at a certain height, this paper summarizes a historical law from the phenomenon of the alternation of historical dynasties and the rise and fall.
"Xing, people suffer; When you die, the people suffer. " Digging deep into the essence of meaning, subtext can be said to be tempered and profound, jumping out of the mode of general nostalgic works, conveying the voice of working people and showing a kind of mind and vision different from ordinary people.
Take a look at the feudal rulers of past dynasties. When it declined, it was all bad emperors and traitors, which eventually led to social unrest and a series of troubles, which trapped the people in dire straits. "After ten years of war, the world cried bitterly", so it is said that "the people are not happy when they die."
During the prosperous period of each dynasty, the rulers enslaved the people on a large scale, built large-scale buildings, enslaved and exploited the people, and were arrogant and extravagant, so it was said that "prosperity made the people suffer." This is the sublimation of the author's concern for people's sufferings, which shows the author's great courage and courage. As early as six or seven hundred years ago in the feudal era, it was really commendable that he could make such a thorough and profound judgment.
This Sanqu skillfully combines Tongguan's formal victory with Tongguan's history, expresses feelings with scenery, creates feelings with scenery, sets off changeable history with unchangeable form victory, and takes Tongguan as a historical witness, revealing the great disaster brought to the people by the struggle of the feudal ruling class. The perfect combination of profound meaning, depressed feelings, magnificent scenery, sincere feelings and incisive arguments makes the whole song have a strong artistic appeal.
5. Harmony Music, Jingkou, Gu Beiting, reminiscing about the past. What are the characteristics of this poem? In the first movie, these words borrowed ancient meanings to express today's feelings, but they are more revealing. In the second film, the historical significance and realistic feelings revealed by the author through allusions are more profound and hidden.
The following film quoted the historical fact that Liu Yilong's hasty Northern Expedition in the Southern Dynasties led to a crushing defeat, and advised Han Biaozhou to learn from history and not to act rashly. Then, with the change of the situation of resisting gold in the past 43 years, it shows that the poet's determination to recover the Central Plains remains unchanged. At the end of the three sentences, he compared himself with Lian Po, expressed the poet's strong desire to serve the country, and lamented that Songshi could not use his talents. The whole poem is heroic and sad, full of righteousness and affection, radiating the glory of patriotism.
The use of words and allusions is natural and closely related to the theme, which enhances the persuasiveness and artistic beauty of the works. In the Ming Dynasty, Yang Shen said in Ci Pin: "Xin Ci should be based on Yong Yu Le in Gubeiting, Jingkou."
This evaluation is pertinent.