Just in the past 20 18, an exhibition boom was set off in China. What to do on weekends? A family of three went to visit Guo Bo. Where to date? Nanluoguxiang is behind China Art Museum. Moon cakes for Mid-Autumn Festival should be produced in the Forbidden City, and national treasures should be watched in variety shows. ...
It is enough to write a paper of tens of thousands of words about the significance and importance of giving ordinary people the opportunity to get in touch with cultural relics and feel the beauty of history, culture and art. But we ordinary people don't write papers. When we spend time, energy and even money to see the "classic works" that mostly make us unknown so, what are we experiencing?
As a model of China's calligraphy, Yan Zhenqing's "My Nephew's Manuscript", which caused a storm, only occupies a higher position in Wang Xizhi's "Preface to the Lanting Pavilion", but it is extremely difficult to appreciate from the artistic aesthetic point of view. Scribbling, the so-called "second in the world" style in the calligraphy world, really makes us ordinary people flinch.
However, if you can understand that this is a eulogy written by Yan Zhenqing in his fifties when he faced the dismembered nephew's skull, because he stood up in the Anshi Rebellion and loyally opposed it.
Even if you don't understand the vigor of his writing and the change of the font, you can still experience the cruelty of war, the grief of the country being destroyed and the grief of a generation of writers buried in this passage through thousands of years of paper and ink.
Twenty-six years after writing this eulogy, Yan Zhenqing, who was over seventy years old, surrendered to the rebel camp and was killed by the rebels, risking his life to get justice.
Most ambitious people who want to go down in history have achieved something in the end, but others can read his ambition and ambition from it. People who really go down in history often don't want to go down in history themselves. Their great achievements come not from ambition and ambition, but from sincerity and belief.
However, in the impetuous social atmosphere, people pursue money, success, rights ... and leave those precious spirits and qualities behind, because they can neither make you famous nor make you financially free, and they have no short-term visible high returns, and their effectiveness is low or even ineffective in your short life.
Then why do we need them?
Because they are the foundation that can truly enable mankind to break through many obstacles and change the world.
Apart from parents, school education and your own life experience, the only way to get in touch with them is these classic works handed down from generation to generation. The "classics" here include books, paintings, music, architecture, handicrafts and even excellent film and television dramas.
Why do you want to see, watch, listen and get in touch with classic works since childhood? Not to teach you how to become famous and make money when you grow up, but because these works that travel through time and space are integrated into the eternal spiritual quality of human beings. They not only shaped many great men and heroes who changed the world, but also shaped you.
These classics give you a chance to re-understand the world with the help of other people's lives in your limited life. Its greatness lies not in what it has created or changed, but in its own existence, which has been handed down over time.
Experience the classics, which can bring you faith and strength.
May all young people in China get rid of air conditioning,
Go up,
Don't listen to people who give up on themselves.
What you can do, what you can say.
There is heat, there is light,
Like fireflies,
You can also shine a little light in the dark,
Do not wait for the torch to burn.
If there is no torch afterwards,
I am the only light.
-Lu Xun's "Hot Wind, Random Feeling Record 4 1"
20 19.0438+0. 15 gunpowder date
All conclusions are drawn after the scheme study; In the scheme research, if you can't find the reason and solution, you can't let go. Then the fol