Common sense of Chinese painting flowers and birds 1. A little knowledge of Chinese painting

Chinese painting Chinese painting (Xuanhua): Painting on Xuan paper and silk with pigments is the main form of oriental art (Xue's characterization).

From the perspective of art history, the capitals before the Republic of China were collectively called ancient paintings. In ancient times, Chinese painting did not have a clear name, and it was generally called Danqing, which mainly refers to scroll painting painted on silk, rice paper and silk and mounted.

It is called Chinese painting in modern times, which is different from western oil painting (also known as western painting) and other foreign paintings. It is created in accordance with the unique aesthetic trend of the Chinese nation and the resulting artistic techniques.

Chinese painting reflects the national consciousness and aesthetic taste of the Chinese nation in content and artistic creation, and embodies the ancient people's understanding of nature, society and politics, philosophy, religion, morality, literature and art related to it. Traditional Chinese painting emphasizes "the nature of foreign teachers is the source of China's heart", melts things into nature, and requires "meaning to save a pen first, painting as best as possible", which is vivid in form and spirit.

Because calligraphy and painting are in the same strain, both of them emphasize the use of brush to express thoughts and emotions, so painting, calligraphy and seal cutting influence and promote each other. Modern Chinese painting has made a breakthrough and development in inheriting tradition and absorbing foreign techniques.

2. Basic techniques of flower-and-bird painting in Chinese painting

The basic drawing method of flower-and-bird painting The basic drawing method of Chinese flower-and-bird painting. Generally speaking, line drawing, double hook color painting and boneless painting machine all belong to the category of meticulous painting, so attention should be paid to their completeness in form and clarity in structure. Beginners can draw a sketch of the same size before painting, and put it under the drawing paper, so that the composition and modeling have a basis, and they can focus on the interest of color and brushwork. No matter which hairstyle is used to draw flowers and leaves, the color should change in depth. Freehand brushwork refers to expressing the mental state of the object with simple and general pen and ink, which is a painting method that does not seek to look like a god.

The basic drawing method of flower-and-bird painting The basic drawing method of Chinese flower-and-bird painting. Generally speaking, line drawing, double hook color painting and boneless painting machine all belong to the category of meticulous painting, so attention should be paid to their completeness in form and clarity in structure. Beginners can draw a sketch of the same size before painting, and put it under the drawing paper, so that the composition and modeling have a basis, and they can focus on the interest of color and brushwork. No matter which hairstyle is used to draw flowers and leaves, the color should change in depth. Freehand brushwork refers to expressing the mental state of the object with simple and general pen and ink, which is a painting method that does not seek the shape of god. It is recommended to use cooked rice paper, draw the outline on white paper by cross drawing, print it on cooked rice paper, and use filter type.

3. Knowledge of Chinese painting: What knowledge must you have to learn Chinese painting?

What knowledge do you have to learn Chinese painting? The word Chinese painting originated in the Han Dynasty. People in the Han Dynasty thought that China lived in heaven and earth, so he called it China, and China's paintings were called "Chinese painting" for short.

Let's take a look at the knowledge of Chinese painting: What are the learning steps of Chinese painting? First of all, we should practice basic skills. There are many basic skills in painting and calligraphy, but the most basic one is to draw intersecting lines, round lines and wavy lines.

Why do you draw crosshairs, round lines and wavy lines? The basic brushwork of Chinese painting is line. Line modeling abandons light source, light and shade, elegance and vulgarity, and focuses on expressing the shape and structural relationship of objects, and expresses the essential characteristics of objects through these representations, which is commonly known as "building bones with lines" in Chinese painting. The "bone" in Chinese painting is the essential expression that supports the artistic image and makes it rich in essence, spirit and spirit.

Simply regard the skeleton of the line as a bone, that is to say, the use of the line should emphasize the expressive force of the line, and use the length, thickness, turning point, frustration, severity, symptoms, stiffness, strength, brightness, luster and other changes of the line to express all aspects of the modeling factors such as expression, shape, texture, dynamics, rhythm and space of the object. Only when the lines are integrated into the image can the creation of personalized modeling forms be completed.

This is the most basic embodiment of building bones with lines. Click on the picture to view the knowledge of Chinese painting: What are the learning steps of Chinese painting? Second, "plagiarism" is the only way. Chinese painting is one of the traditional quintessence of China. After thousands of years of history, it has formed a unique form of expression.

Through the ages, the creation of countless painters and the casting of self-aesthetic ideals. This is unique to the Chinese nation, so it has a distinct and strong national color.

For example, in line drawing, the four wonders of ancient times, the nail-headed and mouse-tailed painting and the iron line drawing are all some means of expressing clothes and flowers and birds with different textures, which are subjective creations based on objective objects after long-term painstaking observation and thinking, or inspired by other objects. It has its own aesthetic value and does not exist independently because of the relationship between time and space.

It is very convenient for people to use these programs for artistic re-creation. Because of the differences in personality, interest and accomplishment between people, there are also many differences in application. Others are not satisfied with ready-made programs, to change and create, so there are various new expression programs.

If it can stand the test of history and be confirmed by people, then the old program will be replaced and become a relic of history, and the new program will be accepted or changed by people in the future. Therefore, the procedure is not static, and this is how Chinese painting develops.

As long as it conforms to people's aesthetic views and standards at that time, generally speaking, works that everyone thinks are beautiful can be preserved and handed down in the waves of history. This is an objective law handed down from Chinese painting for thousands of years. When we talk about the stylized expression of painting, we want to express some painting materials, which should be painted like this, not like that. This is the precious painting experience provided by predecessors and the crystallization of art, which brings us reference in learning painting.

There is a distinction between refined and popular works of art with and without reference. Therefore, learning to master the performance procedures of traditional painting has become a "stepping stone" to enter the door of Chinese painting.

For a beginner who really likes Chinese painting, the effective shortcut is to start from copying. Throughout the ages, Chinese painting masters have become a generation of masters from "copying".

Copying is the main way for beginners to get started, especially masterpieces. Painting learners can learn and master artistic features and skills by copying.

To copy famous works, we must first observe the expression and artistic skills of the works, patiently try to figure out the writing method, master the expression form of the works, and seriously study the spiritual temperament of the works. Third, it is very important to choose the copy of the model's painting. "Starting from copying" must have a picture. Conditional beginners can directly compare the teacher's original work and try to figure out the ideal writing, but they can also use copies or printed materials unconditionally.

In short, we should choose ancient and modern works with high artistic level and copying value to learn and master the traditional pen and ink skills, and observe the intentions of ancient and modern people. However, we can't take a pragmatic attitude towards plagiarism. Generally, there is a certain distance from copying to mastering and application, and there is no ready-made application.

According to my own personal experience, it is difficult to copy a complete work in the coloring stage, and at least one hundred pictures are needed to master the copying skills. Click on the picture to see a bigger picture. Knowledge of Chinese painting: What are the learning steps of Chinese painting? 4. Lines are the basis of Chinese painting. Pen and ink are the characteristics and essence of Chinese painting. Without pen and ink, it cannot be called Chinese painting. In a broad sense, the word pen and ink refers to the painting language in terms of picture meteorology, color, composition, artistic conception and interest achieved by pen and ink.

In a narrow sense, pen and ink refers to the skill of using pen and ink. Painting is silent music! It means that a good painting is like a moving note, forming a beautiful and moving rhyme.

Quality is the pursuit of the "truth" of the objective object described, that is, it can have both spirit and form; Rhyme refers to the expression of subjective spirit through objective things, that is, it can be vivid and enjoyable. Chinese painting requires the unity of subject and object, and "nature from the outside, heart from the inside" is the lifelong pursuit of Chinese painting.

There are "three taboos" when using a pen. In the Song Dynasty, Han Chunquan put forward in the Complete Works of Pure Landscape: "There are three diseases in using a pen: one is the board; Second, the present; Three sections. " The so-called "board" means that there is no wrist strength, the pen is not flexible, and the drawn pen line is flat and flat, and there is no rounded three-dimensional sense; The so-called "engraving" means that the strokes are too exposed, even angular, unnatural and lifeless; The so-called "knot" means that when you put pen to paper, you can't do it if you want to, but when you don't separate, the pen line will not be smooth.

If you make these three mistakes with a pen, you can't talk about the beauty of lines. In addition, it is taboo to be "dry, weak, slippery, sloppy, etc."

Fifth, the skill of Chinese painting is undeniable, and there are skills in everything. Chinese painting has two skills: the first is to draw more pictures, which can be described as "practice makes perfect"! The second is skill theory.

Even if you recite the theoretical skills in the textbook, you may not be able to draw; As long as you copy a few pictures every day, you can draw them without learning a theoretical skill Why do you say that? There are witnesses.

Master of painting.

I love art very much, so please tell me something about Chinese painting.

Ok ~ let me answer it.

Chinese painting is also called ink painting. As the name implies, it is a kind of painting that pays attention to the method of ink and wash. Among them, ink can be roughly divided into these types: Jiao Mo (referring to ink with almost no moisture), thick ink (referring to ink with little moisture) and light ink (referring to ink with much moisture and light ink color). And Su Mo ... Wait, wait, wait. …

Also, Chinese paintings are painted on rice paper.

There are two kinds of rice paper, one is raw rice paper, and the distinguishing method is water infiltration. This kind of rice paper is suitable for freehand brushwork painting, such as landscapes, flowers and birds, etc ... while the other is cooked rice paper, which can be distinguished by the fact that ink cannot penetrate and is suitable for meticulous painting.

Chinese paintings can be divided into several types: landscapes, flowers and birds, and figures. I am a landscape painter, so I know this better, so I will talk more about it. As for landscape painting, we should pay attention to the change of ink and wash, decide the treatment method according to the picture effect, pay attention to the shade, and don't draw the picture too lightly. If you don't understand, you can look at the paintings of Li Keran and Huang Qiuyuan on the Internet. They are very heavy and powerful.

I hope my answer is helpful to you. There are many things that I summed up when I was painting. If you really like it, you can learn to paint Chinese paintings! Very interesting.

5. Some knowledge about Chinese painting

Chinese painting originated in ancient times, and hieroglyphics laid the foundation; At first, there was no difference between writing and drawing, and the meaning was the same.

There is a saying in China that calligraphy and painting are homologous. Some people think that Fuxi's painting hexagrams and Cang Xie's writing hexagrams are groundbreaking. There is no difference between writing and drawing.

Chinese painting has a long history. As early as 2000 years ago, silk paintings appeared in the Warring States period, before which there were primitive rock paintings and painted pottery paintings. These early paintings laid the foundation for later Chinese paintings to take lines as the main modeling means.

During the Han, Wei, Jin, Southern and Northern Dynasties, the society changed rapidly from a stable unity to a split, and the impact and integration of foreign culture and local culture made painting mainly religious, while local historical figures and literary works took a certain proportion, and landscape painting and flower-and-bird painting also sprouted at this time. At the same time, consciously grasp painting in theory and put forward evaluation criteria. During the Sui and Tang Dynasties, social economy and culture were highly prosperous, and painting also showed all-round prosperity.

Landscape painting and flower-and-bird painting have matured, religious painting has reached its peak, and there has been a tendency of secularization; Portraits mainly show aristocratic life, with characters with characteristics of the times. By the Five Dynasties and the Song Dynasty, it was more mature and prosperous, figure painting had turned to depicting secular life, religious painting had gradually declined, and landscape painting and flower-and-bird painting had become the mainstream of painting.

The appearance of literati painting and its development in later generations greatly enriched the creative concept and expression method of Chinese painting. During the Yuan, Ming and Qing Dynasties, ink and wash landscapes and freehand brushwork of flowers and birds got outstanding development, and literati painting became the mainstream of Chinese painting, but its last stream went to imitation, which was farther and farther away from the times and life.

Since the end of 19, western artistic expressions and artistic ideas have been introduced into Chinese painting for a hundred years, and many schools, famous artists and constant reforms and innovations have emerged in the cultural environment that inherits the traditional Chinese painting. To appreciate China's landscape paintings, we must first understand the spiritual image of the creators of Chinese paintings.

Painters put the characteristics of famous mountains and rivers in their hearts first, and then put them in their hands, so they don't take "Xiao shape" as the best, but give priority to "Xiao shape" A tree, a stone and a pavilion can all represent the painter's vision.

Don't haggle over the display problems such as perspective ratio. There are many kinds of animals, with different sizes. Lions, tigers, cats and dogs can be called beasts, all kinds of fish can be called swimming fish, cicadas, butterflies and dragonflies are called weeds, and all kinds of birds are called feathers.

Animals can be classified as flower-and-bird paintings. Characters are divided into two categories: ancient costume characters, or heroes and celebrities of past dynasties; Modern clothes, or model sketches, belong to the same category.

Because characters should have movements and expressions, figure painting is a relatively abstruse production. Chinese painting can be divided into meticulous brushwork, freehand brushwork and concurrent brushwork according to production techniques and brushwork.

Fine brushwork is made of fine brushwork. Meticulous brushwork emphasizes the beauty of lines and is meticulous, which is the characteristic of meticulous brushwork. Freehand brushwork is regarded as freehand brushwork. Freehand brushwork does not pay attention to lines and images, which runs counter to the fineness of meticulous brushwork.

Vivid is often better than the former. According to the content of the picture, it can be divided into traditional painting and modern painting.

Chinese painting has a history of thousands of years and has formed a set of fixed patterns such as brushwork, composition and painting, so this style of Chinese painting is called Chinese painting.

6. What are the basic knowledge of Chinese painting?

You must know four basic knowledge of Chinese painting: the concept of Chinese painting, classification methods, tools and materials, and mounting style. Everyone is no stranger to Chinese painting in daily life. We have seen some Chinese paintings to some extent, whether ancient or contemporary, and it takes a lot of hesitation to say what these three words mean.

Then why is Chinese painting called Chinese painting? The real painting system, I mean the concept of pure ornamental art, only Chinese painting system and western painting system, in which Chinese painting system is based on calligraphy and western painting system is based on sketch. Chinese paintings are divided into four categories according to materials, contents, painters and techniques. This also corresponds to four questions: where to draw, what to draw, who drew it and how to draw it.

Four Treasures of the Study, who studies Chinese painting, is what we often say: pen and ink. The main forms of Chinese painting and calligraphy are: vertical axis, horizontal shawl, hand scroll, album and fan. The origin of Chinese painting constitutes the upper limit of Chinese painting, the classification of Chinese painting constitutes the lower limit of Chinese painting, the tool materials of Chinese painting are on the left side of Chinese painting, and the layout of Chinese painting is on the right side of Chinese painting. This multidimensional structure of up, down, left and right constitutes the basic knowledge system of Chinese painting system.

Extended data:

Ink painting: a kind of Chinese painting. Refers to a painting made of pure ink and wash. There are three basic elements: simplicity, symbolism and nature. Legend has it that it began in the Tang Dynasty, became in the Five Dynasties, flourished in the Song and Yuan Dynasties, and continued to develop in the Ming and Qing Dynasties and modern times. Give full play to the function of ink painting with brushwork as the leading factor.

"Ink is color" means that the shade change of ink is a hierarchical change of color, and "ink is color" means that multi-level ink chromaticity can be used instead of colorful colors. In the Northern Song Dynasty, Shen Kuo's "Tu Song" said: "The south of the Yangtze River spread to Ju Ran, and the light ink and light blue became one." Which is ink painting. People in the Tang and Song Dynasties painted landscapes with wet strokes, which had the effect of "water fainting ink printing". People in the Yuan Dynasty began to use dry pen, and the ink color changed a lot, which had the artistic effect of "giving color at the same time". In the Tang Dynasty, Wang Wei put forward that "ink painting is the best", and later generations followed suit. Ink painting has always occupied an important position in the history of China painting.

Courtyard painting: referred to as "courtyard painting" or "courtyard painting", it is a kind of Chinese painting. Generally speaking, it refers to the paintings of Hanlin Painting Academy in Song Dynasty and its later court painters. There are also works specifically referring to the Southern Song Dynasty Painting Academy, or generally referring to non-court painters who imitate the style of the Southern Song Dynasty Painting Academy.

This kind of works mainly focus on flowers and birds, landscapes, court life and religious content to meet the needs of the court. They pay attention to statutes, have both form and spirit, and have a gorgeous and delicate style. Because different times and painters have different specialties, their painting styles are different and have their own characteristics. Mr. Lu Xun said: "It is advisable to give up the tender and gentle aspects of the courtyard paintings in Song Dynasty." (Jie Jieting's Prose Collection? About "Adoption of Old Forms")