199 1 participated in the literary performance celebrating the 50th anniversary of the founding of the People's Republic of China in Shanxi Province, and won the performance award for playing Mrs. Kou in Kou Zhun, an upright official. In 2007, he won the 11th Golden Opera "Apricot Blossom Award" for his modern drama "Three Farewells to the Cow's Back", and 20 1 1 won the modern drama "I wish you happiness". She has been rated as one of the top ten heroines in Yuncheng, a red flag bearer on March 8th and an advanced worker in Yuncheng's cultural system. Starring plays include Farewell to Cow's Back, Foal of Fire, I wish you happiness, Liuhe Bay Bride and so on.
1965165438+10 In October, Wang Qingli grew up in the arms of a mother who loved art and drama. 12 years old, in the eyes of the villagers, she is simply an all-round imitation show of her mother's acting and singing skills. Some villagers even said that she was a vivid little blue show. In this way, at the age of 14, she was amazed and admired by people in Shiliba Village, Fiona Fang, and entered the drama school in Yuncheng area.
In the first interview in the school, she was honored to be selected as a student of Wang Xiulan, a famous actor in the three provinces of Shanxi, Qin and Henan and the world. At school, she eagerly studied the formal knowledge and skills of Pu Opera. Under the guidance of Wang Xiulan, Li Sheng 'an and Cheng Genhu, she got The True Story of Pu Opera. At first, she appeared in plays such as "Kill Dogs" and "Three Scholars", and was awarded the title of "Three Good Students" and "Model Student Cadres" every year.
1985 was selected as a professional actor of regional general opera troupe. At first, according to her personal qualities, the group leader and director directed Table Flowers for her and Ji Youfang by Wang Xiulan. With great understanding, she brought Huang to life and made an amazing breakthrough in acting innovation, which was praised by her teachers.
In the past 20 years, she has worked with famous actors for more than 700 times. He successfully created Jiao in Killing Dogs, Zhang in Sisters Marry Easily, Cheng Xuee in Kite Destiny, Qiu Xiang in Tears of Jade Chan, Niu Jinhua in Heroes Beyond History, Ji in Resisting US Aggression and Aid Korea and Kou Lao Opera Going to Beijing.
1986 won the "supporting role silver award" in the "Revitalizing Shanxi Opera" activity, and won the "Shanxi Five One Project Award" with Wang Yihua in the drama "Kou Lao xi enters Beijing". In this play, she won the "Literary Evening Celebrating the 50th Anniversary of the Founding of the People's Republic of China in Shanxi Province" for successfully playing the old lady. Since joining the league, most of her roles have been Beijing Opera Blues and boudoir Dan. In order to further broaden the stage, she rehearsed Niu Jinhua and Qin Suyue in Heroes Beyond History. In order to play these two roles well, she insists on practicing hard in the rehearsal field every day. Under the cordial guidance of the teachers, she successfully performed these two roles with completely different personalities, which was well received by the comrades in the group. In the 22 years since she joined the League, she has worked hard and been rated as an advanced worker in the cultural system 10 for many times.
In her numerous performances, she deeply realized that in order to play a role well and shape a character with distinctive personality and characteristics of the times, we must first strengthen the cultural quality of the actors. In order to make up for the lack of her cultural foundation as soon as possible, she has made an unbearable hardship for ordinary people: whenever she accepts a role, she always reads the script intensively and is familiar with the plot first. When she meets a word she doesn't understand, she will look it up in the dictionary. Sometimes she doesn't have a dictionary at hand, so she asks the teacher. Sometimes, the dictionary doesn't agree with what the teacher said, or after what the teacher said, she still seems to understand, so she guesses again and again.
After studying the script repeatedly, she has a deeper grasp of the role. By analogy, over the years, with her persistent pursuit of art, tenacious perseverance and hard-working spirit, she finally achieved that people in various roles only need to read it once, and they can basically master it: they are familiar with their life experiences and experiences, and they also have insight into their inner world; We can not only understand the highest task of the role in the play, but also understand the creative intention of the playwright, so as to find out the character characteristics and emotional basis of the role and find the personality from * * * *. Create characters according to their personalities and avoid role duplication.
After accepting the role of Xue E in The Destiny of the Kite, she repeatedly read the script to understand the character characteristics of the characters from the plane text and the psychological activities of the characters from the context of contradictory development. According to Cheng Xuee's personality, she adopted a gentle movement procedure and a way of singing, presenting a three-dimensional stage image of a talented woman in a boudoir with elegant temperament, beautiful appearance and implicit dignity, from a shyness of marrying a woman with poetry to a joy of remarriage by her stepmother, so that finally, all shall be well, jack shall have Jill, which won unanimous praise from the audience.
Conclusion Under the condition of materialistic market economy, she resolutely carried forward the main theme and revitalized Pu Opera culture.