19 12 was born in Beijing on July 26th. The founder of Qigong was the son of Yong Zhengdi in Qing Dynasty, ranking fifth, named Hongzhou, and was named "Prince of Peace". Their descendants gradually left the palace, and by the time of their great-grandfather, the family had lost its shadow and needed to find a way out through the imperial examination. Great-great-grandfather Pu Liang was admitted to imperial academy and joined the Imperial Academy. In the late Qing dynasty, he served as the minister of rites and commander-in-chief of Chahar. Grandpa Yulong, who is also an academician, is a bachelor of rites, has studied politics and is an examiner. My father died at the age of one in 19 13 and lived with my grandfather. In order to pray, my grandfather asked him to learn from an old Lama in the Lama Temple and become a registered little Lama named "Chado Zabu". At that time, just after Xinhai, the Qing emperor abdicated, and his great-grandfather refused to live in Beijing to show that he would no longer ask about state affairs. Only his great-grandfather had a student named Chen, who was also an academician. His family is the richest man in Yixian County, Hebei Province, and his family is rich, so he invested in buying a house in Yixian County and asked his great-grandfather to live there. My great-grandfather moved to Yixian with his family when he was three or four years old. Later, I went to a private school to read poetry. Great-grandfather died at the age of ten in 1922. The family business declined due to the repayment of debts. My grandfather died in 1923 at the age of 1 1. The family sold the books collected in the world as funeral expenses. At that time, mother Ke Lianzhen and unmarried aunt Heng Ji Hua, both in their twenties, provoked the burden of family life. In order to raise his nephew, Henderson decided not to marry for life and regarded himself as the man in this family. Qi Gong also called his aunt "Dad" (full of customs, "Dad" means uncle). 1924 to 1926, aged 12 to 14, studied in Beijing Huiwen Primary School and Huiwen Middle School. When I was a child, I saw a big landscape painting hanging on the wall next to grandpa's box, which was painted by my uncle. I also saw my grandfather drawing bamboo stones with a small fan, which made me feel wonderful and made me want to be a painter. His school works have been selected as gifts for celebrities by the school. 1927 to 1929, 15 to 17 years old, under the leadership of his eldest brother, he studied painting with Mr. Jia Ximin. Mr. Jia is knowledgeable in the history of painting, and he is also insightful in the appreciation of painting and calligraphy. I often take Qi Gong to the Palace Museum to see the ancient paintings and calligraphy on display. Sometimes I will watch and comment with some friends, and I will write down Qi Gong one by one. These activities are of great inspiration and education to Qigong. Qi Gong wanted to learn more painting skills, and Mr. Jia introduced him to Mr. Wu Jingting. Professor Wu is very patient with painting. He never generalizes, but points out the most important tricks to make great progress. Once, an elder asked him to draw a picture and said that he would frame it and hang it. He felt very honored. But the eldest brother said, "Don't sign after painting, please ask the teacher to sign", which greatly stimulated him and made him practice calligraphy angrily from now on. 1930, aged 18, was introduced by family friends, studied China classical literature under Mr. Dai, and wrote old poems. Thanks to the teacher's careful cultivation and hard self-study, he has laid a solid foundation for China's classical literature and history since he was a child. 1932, he married Zhang Baochen at the age of 20. Zhang, Manchu, is two years old. To make a living, I teach houses, and sometimes I paint and sell money. 1933, 2 1 year old, introduced by Mr. Fu Zengxiang, studied under Mr. Chen Yuan. After reading his works, Mr. Chen Yuan thought that "the writing style was excellent" and arranged for him to be a Chinese teacher in Fu Jen Middle School. Since then, he has been engaged in education for decades, mainly teaching classical literature and selling calligraphy and painting in the middle, but he said, "that's just a sideline." 1935, at the age of 23, he worked as a teaching assistant in the Fine Arts Department of Fu Jen Catholic University, and engaged in painting and calligraphy creation in his spare time. 1938, at the age of 26, he was a lecturer in China Literature Department of Fu Jen Catholic University. After the victory of the Anti-Japanese War, he also served as a special member of the Palace Museum, responsible for reviewing manuscripts and identifying cultural relics in the literature museum. 1949, aged 37, associate professor of Chinese Department of Fu Jen Catholic University and professor of Peking University Museum Department. 1952, at the age of 40, Fu Jen Catholic University merged with Beijing Normal University to become an associate professor of literature in China, teaching classical literature. In the same year, he joined the "Jiu San" Society and was elected as a member of the Beijing Branch of the "Jiu San" Society, and later served as a member of the Beijing Municipal Political Consultative Conference. Since then, he has played Dunhuang Bianwen folk songs with Xiang Da,,,, Gong, and others. Later, he annotated Cheng Yi's A Dream of Red Mansions published by People's Literature Publishing House, which was the first annotated version of A Dream of Red Mansions published after the founding of the People's Republic of China. 1957, my 45-year-old mother and aunt died one after another. 1962, at the age of 50, he wrote two manuscripts, namely On Ancient Fonts and On the Rhythm of Poetry. 1963, at the age of 51, he wrote Notes on a Dream of Red Mansions. 1966, at the age of 54, the "Cultural Revolution" broke out, and all public reading and writing activities were forced to stop, but he continued to study in private. Because he is proficient in calligraphy, he is often ordered by the rebels to copy posters. 197 1 year, at the age of 59, he participated in the punctuation work of Twenty-four History and Draft of Qing History organized by Zhonghua Book Company, and was jointly responsible for the punctuation work of Draft of Qing History with Wang Zhonghan and others. 1975, his 63-year-old wife Zhang Baochen died. 1976 After the downfall of the Gang of Four, the 64-year-old Normal University resumed its courses. 1977, the 65-year-old Poetry Manuscript was published by Zhonghua Book Company. 1978, at the age of 66, after the Cultural Revolution, the policy was implemented and he was still employed as a professor. 1979, the 67-year-old manuscript of ancient fonts was published by Cultural Relics Publishing House. 198 1 year, the 69-year-old Cong Manuscript was published by Zhonghua Book Company. In the same year, China Calligraphers Association was established and promoted to vice chairman. At the invitation of the Chinese University of Hong Kong, he went to Hong Kong to give a lecture on Chinese and A Dream of Red Mansions. 1982, a 70-year-old national planning group for the collation and publication of ancient books was established and served as a member of the group. 1983, at the age of 7 1, he was hired by the China Fine Arts Complete Works Office of the Propaganda Department of the Communist Party of China as the consultant of the Complete Works of China Fine Arts. The China Ancient Painting and Calligraphy Appraisal Group, composed of seven experts organized by National Cultural Heritage Administration, is responsible for appraising and evaluating the authenticity of ancient painting and calligraphy works collected by museums in Beijing and major cities in China. 1984, at the age of 72, he was hired as a doctoral supervisor. Elected President of China Calligraphers Association. 1986, at the age of 74, he was appointed as the chairman of the National Cultural Relics Appraisal Committee. 1April 1989, at the age of 77, he served as the deputy curator of central research institute of culture and history. Qigong Yu Yun was published by Beijing Normal University Press. 1990, A Hundred Poems in Books with a history of 78 years was published by Hong Kong Commercial Press and Beijing Sanlian Bookstore. This book summarizes the systematic theory of his calligraphy practice in the form of poems, comments on calligraphers of past dynasties, and has unique views on calligraphy writing and writing. In order to set up the "Li Yun Scholarship Fund", the "Qigong Painting and Calligraphy Exhibition" was held in Hong Kong. 199 1 year, at the age of 79, he served as a consultant to the national planning group for the collation and publication of ancient books. On China Phenomenon is published by the Commercial Press (HK) Limited. At the end of the same year 1 1, all the proceeds from the charity sale of calligraphy and painting were donated to Beijing Normal University to set up the "Li Yun Scholarship Fund". In September, I went to Tokyo and Osaka and visited the treasures of China paintings and calligraphy collected by Osaka Museum. 1992, 80 years old, China People's Political Consultative Conference, Beijing Normal University and Rong Baozhai jointly held the "Qigong Painting and Calligraphy Exhibition", which was exhibited in Beijing, Guangzhou and Japan. Talking about stereotyped writing, Notes on Qigong Prose and Qigong Calligraphy and Painting Collection are all published by Beijing Normal University Press. 1994, 82 years old, went to Korea for calligraphy and painting exchange. Rong Baozhai and Korean Oriental Gallery jointly held "Qigong Jin Yingxian Calligraphy Exhibition", which was exhibited in Beijing and Seoul successively. Yu Xu Qigong is published by Beijing Normal University Press. 1995, 83-year-old Rong Baozhai published "Poems of Qigong Prose 100" and "Collection of Qigong Paintings and Calligraphy". 1996 10, at the age of 84, visited the United States, Germany and France, and visited the treasures of China paintings and calligraphy collected by the national museums of the three countries. 1April, 1997, central research institute of culture and history organized a painting and calligraphy delegation to Singapore to hold an exhibition of paintings and calligraphy works of librarians of the Central Literature and History Museum headed by Mr. Qi Gong. 10, at the invitation of the Hong Kong Commercial Press, went to Hong Kong to attend the celebration of the centenary of Hong Kong's return to the motherland and the establishment of the Commercial Press, and created many paintings and calligraphy works for Hong Kong's return. The Japanese translation of Qigong Shu 100 quatrains was published in Tokyo. 1998, he is 86 years old, a professor and doctoral supervisor of Beijing Normal University. Member of the 5th Chinese People's Political Consultative Conference, Standing Committee member of the 6th, 7th, 8th and 9th sessions, Chairman of the National Cultural Relics Appraisal Committee, Deputy Director of central research institute of culture and history, Honorary Chairman of China Calligraphers Association. He died in Beijing at 2: 25 on June 30, 2005 at the age of 93. The publication chronology of Mr. Qi Gong is 1953, Annotations to a Dream of Red Mansions, People's Literature Publishing House is 1957, Selected Works of Dunhuang Bianwen (co-edited with others), People's Literature Publishing House is 1965, and Essays on Ancient Fonts is 1977. Zhonghua Book Company 198 1 year "Qigong Manuscript", Zhonghua Book Company 1982 "Mr. Qigong talks about calligraphy" (videotape), Beijing Normal University 1985 "Qigong Calligraphy Selection", People's Fine Arts Publishing House "Qigong Calligraphy Selection", Beijing 986 (short edition), Introduction to Calligraphy by Beijing Normal University Press, Qigong Yu Yun by Beijing Normal University Audio and Video Publishing House 1989, On Poetry by Beijing Normal University Press 1990, Qigong Cao Qian Shu Wen Zi by Commercial Press (Hong Kong) and Sanlian Bookstore, and photos of Qigong Painting and Calligraphy Exhibition published by China Peace Publishing House.