Fangfang was born in 1968. Children learn from their families and love painting and calligraphy. 1990 graduated from the ceramic design department of Tsinghua University Academy of Fine Arts. He is currently the director of China Calligraphers Association, the vice chairman of Beijing Calligraphers Association, the member of China Federation of Literary and Art Circles Expert Advisory Committee, the researcher of the Painting and Calligraphy Institute of the Central Museum of Literature and History, the studio tutor of China Calligraphers Association Training Center, and the member of China Literature Volunteers Association.

One of the speakers of the "One Book a Day" column of the Central Digital Calligraphy and Painting Channel, one of the "four batches" talents in Beijing's propaganda and cultural system, the most potential figure in China's calligraphy "Billboard" on 20 17, and the person of the year in China's calligraphy and painting on 20 19.

Calligraphy works were published in magazines such as China Calligraphy and Calligraphy, carved on Changde Poetry Wall, and collected by institutions such as Singapore Calligraphy Center. In Beijing Calligraphy, Beijing Literature and Art, China Culture News and other newspapers and periodicals, he published papers such as Looking at the Reed Flowers on the Other Side Quietly-Notes on Wen Zhiming's Calligraphy Art, Exploring the Origin of Dong Qichang's Calligraphy Art, and The Light of Pen and Ink.

Edited China Fine Arts Calligraphy for People's Education Publishing House "People's Education Network". He is the author of Huang Ziyuan Regular Script Character Spectrum. The artistic resume includes China Calligrapher's Dictionary and China Calligrapher's Works.