Appreciation of Selected Books of Yao Xing
Selected running script pictures of Yao calligraphy 1
Yao Xuanxing calligraphy picture 2.
Yao Xuanxing calligraphy picture 3.
Yao Xuanxing calligraphy picture 4.
Yao's profile
Yao, male, 1934, born in Heishan County, Liaoning Province, is a famous contemporary calligrapher, educator and film artist in China. Calligraphers have been recommended to design and write subtitles for more than 300 films, such as Young People in Our Village, Five Golden Flowers, Qingsongling, Cotai Strip, Shajiabang and Zhifengzhan. 1980 joined the China Calligraphers Association and became the first member. He is currently a professor at China Calligraphy Correspondence University, a postgraduate tutor of calligraphy at China Renmin University, an academician of Ziguangge Painting Academy of the Central State Working Committee, director of the China Federation of Literary and Art Circles Painting and Calligraphy Art Center, director of the China Association for the Promotion of Cultural Exchanges for the Elderly, honorary consultant of the Singapore * * China Shenzhou Art Academy, chief honorary dean of the Central Plains Painting and Calligraphy Research Institute, and intellectual property cultural ambassador of China. He has published monographs such as Yao Calligraphy, Yao Painting Collection and Yao Painting Collection.
1958-199 1 used to be a senior subtitle artist in changchun film studio.
1989 Personal Calligraphy Exhibition was held in China Art Museum. At that time, Mr. Zhao Puchu, Vice Chairman of Chinese People's Political Consultative Conference, President of the Chinese Buddhist Association and Vice Chairman of the Central Committee of the Democratic Progressive Party, wrote a name for the exhibition, and Cheng Siyuan, Vice Chairman of the National People's Congress, personally attended the exhibition and cut the ribbon.
199 1 year transferred to Changchun university as a professor. 1998 and 1999 were rated as 100 calligraphers by the Federation of Literary and Art Circles for two consecutive years.
200 1 at the invitation of CCTV, for? The sunset column offers calligraphy and painting classes and calligraphy lectures for the elderly.
In 2005, on the occasion of the 0/00th anniversary of China Film/KLOC-and the 60th anniversary of changchun film studio, it was awarded? Honor award for meritorious service? .
In 2006, Changchun University established Yao Calligraphy Art Museum to exhibit its main representative works.
In 2008, he was hired by the State Property Office as? China intellectual property cultural ambassador.
Basic practice methods of running script
Running script structure: dense but not stiff, clear and ethereal, relaxed without losing natural charm, plain and dynamic. In particular, the structure of cloth is different from regular script. It is often not limited by the size of stippling, but is inextricably linked with its form. It is patchy, unstructured, with distinct verve, which is comfortable, enabling it to make its own posture and gain a mellow and natural taste. For beginners, we should take the law post as a model for learning, rather than mechanically copying it. It is necessary to understand and study in the post of law, but it needs to be explored in practice. As long as you have the perseverance to learn and proper understanding, you will succeed.
Abbreviations and ellipsis: the writing speed is accelerated, but the original strokes are not reduced. The strokes are connected by ties and do not exist alone. In the running script, it is even simpler, that is, the original stippling is simply merged to form a unique writing method in the running script.
Away from the square to avoid the circle: regular script is round and round, and it is folded in many ways. The running script changes with the situation and changes endlessly, which is flexible and vivid with Fiona Fang.
Heavy pressure and light lifting: Some strokes in regular script, such as stopping writing and reversing writing, are no longer used or rarely used in running script, and more are carried out according to the trend. Where it is light and thin, you need to close the pen and lift it gently, a little faster. The heavy part needs to be pressed again, and the speed is a little slower. Of course, the alternation of stroke thickness should have a reasonable ups and downs process and be natural.
Good luck:? The beauty of calligraphy lies in the use of pens. ? Calligraphy is the plastic art of lines, and improving the expressive force of lines is often the lifelong pursuit of calligraphers. Composition, ink painting and so on are inseparable from lines to complete the performance, and the expressive force of lines lies in the use of pens. When it comes to using a pen, you can't help but mention your wrist. The two are inseparable. The agility and exquisiteness of running script is sometimes accomplished entirely by wrist movement. Wrist movement means that in the process of writing, the wrist should consciously command the brush to swing left and right, and slowly press it down to change the illusion. So that the writing effect is smart and smooth.