2 natural paragraph:
The oak tree accused the reed, which had no qualification and ability to protect itself and could only be blown away by the wind.
3 natural paragraph:
Reed responded to the oak tree, thinking that the oak tree only cares about its own strength, regardless of others, while reed can bend and stretch, and the situation will not be broken no matter how bad it is.
4 natural paragraph:
The oak tree continued to refute the reed, thinking that it has the strength and ability to protect its neighbors. Reed is so fragile that it can only be broken by wind.
Overview of oak and reed composition;
Trees and reeds are a poem. Perhaps it is also a way to deal with the world to make a hundred exercises both rigid and flexible. Many contrasts between strength and weakness are not what people see. What seems weak is actually strong. The glass looks hard, but it is brittle, and it has been cutting.
Weakness is also a kind of wisdom Thinking is too rigid, it is a kind of straightforwardness and rigidity, which is not desirable for Dan Qiang. "A gentleman doesn't flick when he has tears" is a portrayal of a man with a strong character, but not showing his feelings is not necessarily good for his health.
Oaks die because they are strong, and they will become weak because of decay after death. The reed can be preserved and existed because it is weak and strong, because it can resist wind and rain. The softest water can make water drop through the stone, and the softest fire can melt steel. Things in the world are so wonderful.
The creative experience and characteristics of La Fontaine, the author of Oak and Reed;
1, writing experience
1664, he published "Contes et new les en vers", which was based on Boccaccio, rabelais, Ariosto and others. Although his writing is elegant, there are many obscene scenes, which were rated as indecent by people at that time. 1668 published the first episode of Fable Poetry, which caused great repercussions and established a literary reputation. By 1694, he had published 12.
2. Writing characteristics
La Fontaine overcame the fable and boring moral preaching unique to the fable genre, and developed the visual art factor to the maximum extent. Thus chan that genre of fables. Many contemporaries criticized his innovation. They once regarded fables as some kind of similar educational stories.
They feel that Feng Dan tried to "decorate" this fable with poetic style, which weakened its unique and enlightening clear direction. Lafontaine II mastered the simple structure and the skill of selecting artistic details, and was good at dramatizing fables by using the rich language of the masses and the flexible use of free verse in pace, which greatly expanded the possibility of its modeling.