Wushu routine embodies the characteristic that China traditional culture attaches importance to "Tao".

The original meaning of "Tao" is road, and it is extended to law or procedure. China is an agricultural society, living in one place for a long time, thus forming a cultural feature based on' home' which is completely opposite to that of western society. It has become a feature of China people that what our ancestors left behind cannot be easily discarded, but should be handed down from generation to generation. The reason why ancient martial arts practitioners summarized and refined some regular things in actual combat and arranged them according to certain principles, thus forming a set of simple routines, is actually a program and a concrete embodiment of China's traditional culture's pursuit of Tao. . . . .

Secondly, Wushu routines embody the characteristics of "the harmony between man and nature" in China traditional culture.

Wushu routines emphasize both internal and external training. Not only martial arts, but also national art forms such as art, calligraphy and opera pay attention to both internal and external cultivation. The movements of Wushu routines are varied, with dozens of movements dancing in a three-dimensional space. This omni-directional movement undoubtedly makes it easier for all coordinated movements to form "body" from "point" and "surface". . . . .

Thirdly, Wushu routines embody the dialectical thought of Yin and Yang in China traditional culture.

From beginning to end, a routine drill contains numerous contradictory changes, such as unity of opposites, combination of rigidity and softness, alternation of reality and reality, opening and closing of posture, ups and downs, which fully embodies the opposition of Yin and Yang, the mutual root of Yin and Yang, the transformation of Yin and Yang and so on.