Guo Shaoyu's research feature is that the study of language and writing is closely related to literature, because he is a writer himself and studies language as a means of literary expression. This is clearly reflected in almost all his linguistic works. Guo Shaoyu's research on language and writing is mainly in the following aspects: proverb research; The relationship between Chinese syllables, Chinese characters and literary language; The evolution of China fonts; A study on the empty meaning of locative words and function words: a study of function words.
1. Grammar Research
On the relationship between Chinese auxiliary words and general function words (Fudan 1959, 10,10, 12) is the representative work of his grammar thesis.
A New Exploration of Chinese Grammar and Rhetoric (Volume I and Volume II) (Commercial Press, 1979) is his representative work of grammar theory. This is a work of grammar and rhetoric. The first part of the book includes three sub-theories: general theory, brief theory and brief theory, focusing on theory; The second part is a general discussion and three sub-discussions: quantifiers, function words and phrases, focusing on language facts.
2. Proverbs research
In the Study of Proverbs (Novel Monthly 192 1, Volume 2, No.2, No.3 and No.4), he analyzed the nature and function of proverbs to illustrate their literary and artistic value.
3. Research on Chinese Character Font
He also studied China's fonts and published a series of papers. Among them, The Relationship between cursive script and font evolution (academic monthly 196 1,No. 1,No. 12) discussed the evolution law of China's fonts, and he thought that it was an unshakable principle to understand and write easily.
4. Others
The flexibility of ci in China (Yanjing Journal, No.24, 1938), the sound beauty of ci in China (China Monthly, No.27, 1947), the evolution of China literature and language literature (No.9, Lin Xue, 1949). In a series of papers such as The Creative Ability of Language and Literature (Ta Kung Pao 19565438+29 August 0), he mainly studied the relationship between Chinese syllables, characters and literature, which is also one of his research focuses. In addition, he is also the author of General Theory of Chinese and Zhao Jiaoshi's Collection of Languages and Characters.
His research feature is that the study of language and writing is closely related to literature, because he is a famous writer himself, and he studies language as a means of literary expression. Guo Shaoyu is mainly devoted to the study of China's classical literature, the history of China's literary criticism, China's linguistics, phonology, exegetics and calligraphy theory. He has many works. He contributed to the establishment of China's literary criticism history system.
1927 July to 14 years as a professor of Chinese Department in yenching university, which was an important period for his academic research. At this time, he began to devote his main energy to the teaching and research of the history of China literature, especially the history of China literary criticism. Since then, he has worked hard on the subject of the history of China's literary criticism for decades and achieved fruitful results.
1934, the first volume of his History of China Literary Criticism (Pre-Qin to Northern Song Dynasty) was published by the Commercial Press, which was more rigorous and systematic than similar works at that time, and was approved by Hu Shi as a university teaching book at that time. This book collects China's ancient literary criticism works on a large scale, and outlines the development of theoretical criticism in various historical periods, as well as the relationship between inheritance and innovation. Its publication has attracted the attention of academic circles, which has led the Chinese Department of some domestic universities to offer the course History of China's Literary Criticism.
65438-0947, The History of China's Literary Criticism was published in the second volume. After the founding of the People's Republic of China, this history of criticism was revised (Shanghai New Literature and Art Publishing House, 1956) and rewritten (the title was changed to China's History of Classical Literature Criticism, 1959, and People's Literature Publishing House published the first volume).
1939, his Collection of Song Poems was published by yenching university. His Collation and Interpretation of Canglang Poetry (People's Literature Publishing House, 1962) is a summary of the research history of Canglang Poetry, and enjoys a high reputation in the field of ancient Chinese literature theory because of its exquisite proofreading and thorough explanation. In addition, he also published (or reprinted) Poems Collection, Notes on Continued Poems, Poems Collection of Du Fu's Plays, Thirty Poems of Yuan Haowen (People's Literature Publishing House, 1963, 1978), Textual Research of Song Poetry and Collection of Song Poetry.
The single paper is named Zhao Jiaoshi Classical Literature Collection (1983, Shanghai Ancient Books Publishing House). He and Luo Genze * * * edited a series of Selected Works of China Classical Literature Theory Criticism, which laid a solid foundation for the construction and development of this discipline. After the publication of Selected Literary Theories of China in Past Dynasties (1962 Shanghai Zhonghua Book Company) commissioned by the Ministry of Education, more universities in China were able to offer courses on the history of criticism.
Experts who taught the history of China's literary criticism in the early days, such as Luo Genze and Yang, all came from Mr.. The history of China's literary criticism is listed as a general subject by the Chinese departments of various universities, and the establishment of this subject is the painstaking efforts of Mr. Yu Shao.
His History of China's Literary Criticism laid the foundation for this topic, and made people realize that this is a unique knowledge, not a rootless ramble. Mr. Guo Shaoyu once said modestly that his book is just a follower of Mr. Chen Zhongfan's History of China Literary Criticism. But as Mr. Zhu Ziqing said when commenting on Guo's works, "Although it is not the first, it can still be called a pioneering work, because his materials and methods are all his own." Guo Shaoyu also has a deep foundation in calligraphy and art, and calligraphy can be described as a family heirloom. Meigong Wuzugen is famous for his calligraphy, and his father Lu Qinggong also writes well. Guo Shaoyu often focuses on developing and imitating family handwriting and the famous Mo Bao, and obtains its essence.
A calligrapher commented: "The older Baishi's paintings are, the more popular they are, and the later Lao Guo's words are, the better they look." He is not only good at calligraphy, but also proficient in calligraphy theory. In 1930s, Lu Xun and Zheng Zhenduo co-edited Notes on Beiping, and specially invited Shen to write the title and preface in calligraphy, which became a story in the book world. Later, he wrote more than ten papers, such as the evolution of fonts from the style of books. He also has a set of views on young people learning calligraphy: "I think the main thing is to learn block letters and running scripts." As far as block letters are concerned, he feels that "European style is too dangerous for beginners;" The fonts of Yu Shinan and Chu Suiliang are heavy, steady and flowing, which are examples of temporary writing. Running script can learn from Su (stone), Huang (court sword) and Mi (fu), but Mi is crumbling and must not be contaminated. "What he opposes most is that some people don't pay attention to basic skills, and their writing is strange and dazzling.
He strongly advocated strengthening calligraphy education for teenagers, and he himself took the initiative to be the first teacher of children's calligraphy as a university professor. The neighbor's children who love calligraphy come to ask for advice and always give careful guidance. Later, my physical strength dropped and my hands trembled, but I still insisted on writing a book; Hang a bamboo pole under the ceiling, hang a plastic ring under the bamboo pole, put your right hand into the ring to stabilize your wrist, and then make a book with a tube. The Lost Collection of Song Poems (1937)
Textual research on song poetry
History of China's Classical Literature Theory Criticism Volume I (1959) Humanities
History of China's Literary Criticism (I), 1934, Business; "(Volume II),1947;" (revised whole book), 1955, new literature and art
Sports History of China (1920, Shanghai Commercial Press, Universal Library).
There are six quatrains in Du Fu's drama collection, and 30 yuan Haowen's comments, 1978, Warring States Policy Review (19 16, Shanghai Civilization Bookstore).
Chronology of Marx (1919121morning supplement)
Modern Aesthetic Translation (edited by Japanese Takajiro)
Textual research on Ji Tao (193665438+February, printed by Chinese Department of yenching university)
Introduction to national heritage (part A of literary theory; 1938 Seal of Chinese Department of yenching university)
Modern Literature Compilation (1939,65438+February, printed by Chinese Department of yenching university)
Examples of literary works (1947, Ming Kai Bookstore)
General Theory of China (1947, Ming Kai Bookstore)
The sequel to General Theory of China (1948, Ming Kai Bookstore)
A New Probe into Chinese Grammar and Rhetoric (1979)
Collection of Zhao Jiaoshi's Classical Literature (Volume I), 1983, Selected Literary Theories of China in Past Dynasties (1962), Zhonghua Book Company.
Arrangement and Interpretation of Canglang's Poems (196 1)
Notes on Poetry Collection and Continued Poems (1963)
Selected works of China's classical literary theory criticism (in cooperation with Luo Genze)
Compilation of Continued Poems in Qing Dynasty
On Ten Thousand Poems (in collaboration with Qian Zhonglian and Wang Quchang) and Proverbs Research (Novel Monthly 192 1 Volume 2, No.2, No.3 and No.4).
The relationship between cursive script and font evolution (academic monthly 196 1No.1No.1No./2)
The elastic function of China's vocabulary (Yanjing Journal, No.24, 1938)
The Beauty of China's Words (China Monthly, No.27, 1947), The Evolution of China Literature and Language and Literature (Lin Xue, No.9, 1949).
On China's Literary Syllables (1947 Collection of 20th Anniversary of Enlightenment).
Creative Ability of Language and Literature (Ta Kung Pao1951August 29th)
An Introduction to the Development of China Literature (No.1 Vol. No.2, Literature and Art, 1926)
On the History of China's Literary Criticism (Novel Monthly 19 1)
On the relationship between Chinese auxiliary words and general function words (Fudan 1959 10,1,12)
The monthly novel 192 1 Volume 2, No.2, No.3 and No.4 eliminated the study of proverbs.
Autumn wind is coming,
The yellow leaves in the forest bid farewell to the old branches. What a nervous elimination!
curse
Cursed poetry,
Cursed songs,
Cursed literature—
How can you write a cursed life?
riverside
Clouds are in the sky,
People are on the ground,
The shadow on the water,
Shadows on the clouds.
Pu Songling was a famous writer in Qing Dynasty. I'm sure you haven't seen