Sorry, I can only give you some reference information. The exhibition tour of Picasso prints in China has been held in several cities such as Beijing and Shanghai. Many visitors to Beijing China Cultural Center wrote "incomprehensible" and "incomprehensible" on the guest book on the spot. Picasso was the greatest master of modern art in the 20th century. Even ordinary people without profound artistic accomplishment can at least get to know each other like a blind man touching an elephant. However, Picasso's grandiose imagination and unconstrained artistic expression make his works somewhat difficult for ordinary people to understand. How can we understand them? The reporter interviewed the art world and the organizers yesterday and got several clues. Clue 1: Prints are not strokes. Guang Jun, a famous printmaker in China, believes that printmaking is a relatively free and handy part of Picasso's creation, which reflects the fluctuation and change of the creator's thoughts, feelings and emotions, and the creative techniques are very novel and unique. When the audience is watching, it is important to know that prints are not drawn with strokes. The prints on display are mainly copperplate prints, and Picasso used "flying dust corrosion technology" to make these prints. The specific method is to evenly sprinkle a layer of rosin powder on the copper plate, and then heat it, so that the fine rosin powder will melt and stick to the plate, and then put the plate into nitric acid for "corrosion", so that a layer of ink will stick to the corroded place, and white spots will appear where the rosin sticks. The "Bullfighting" series is particularly obvious. Clue 2: Masterpieces Inspire It is reported that Picasso's eight series of prints are all from masterpieces of ballet, poetry, novels, picture books and other genres. For example, the world collection "triangle hat" is the design pattern of costumes and props for ballet of the same name. "The Funny Man" originated from three acts of farce, and Picasso created a ridiculous image of a narrow-minded "cuckold husband" in an ironic and exaggerated way. In addition, these prints are illustrations, so the audience can make up "masterpieces", understand the original intention, combine the works with illustrations, and understand Picasso's creative thoughts of freedom and publicity. Clue 3: Chinese Style of Ink Painting Picasso once said that if he were in China, he would be a very good calligrapher. Picasso was fascinated by China's paintings and calligraphy. When Zhang Daqian visited Picasso on 1956, he found that Picasso was learning to draw flowers, birds, insects and fish similar to Qi Baishi. The eight series of the exhibition all adopt China's ink painting techniques. In The Story of Nature, Picasso first used the technique of "uncovering the bottom of the story". He first mixed sugar and ink, and painted directly on the copper plate with a brush and pen. In "Bullfighting" series, he creatively used dyeing and engraving technology to create brushstrokes and ink painting effects similar to those of Chinese brush. The audience who have a certain understanding of Chinese painting believe that they can see the doorway.

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