Sad music refers to sad music specially used for funerals or memorial services. Different countries, different nationalities and different historical periods have different contents of funeral music and different ways of playing and singing. China has three theories about funeral music.
The origin of China's funeral music was 1936. Under the instructions of the CPC Central Committee, Comrade Liu Zhidan led an expedition to the East and died in Sanjiao Town, Zhongyang County, Shanxi Province. 1942, the CPC Central Committee decided to move Liu Zhidan's coffin to his hometown-Baoan County (now Zhidan County).
In order to make the ceremony more grand, "Lu Yi" band undertook the task of shifting spirits to play music, and five musicians, including Kyle and Amber, formed a funeral music creation group. They adapted it into formal funeral music according to the folk funeral songs that were widely circulated in Shanxi and Shaanxi at that time. This kind of funeral music with China national style has been used to this day.
Extended data
Little known is the funeral music widely used in China, which was adapted by Liu Chi and others from Feng Fengling, a folk music suona in northern Shaanxi. Music 1949 was reviewed by the Political Bureau of the Central Committee in September and officially approved as a ritual song.
Liu Chi (192 1- 1998): composer of folk drums. Mention the film Shangganling, and it will immediately remind people of the vast My Motherland. Mention Heroes' Children, and you can't help but sing "Singing a Misty Hero". Compared with these passionate songs, the episode of the movie "Flowers of the Motherland" will definitely excite the originally youthful audience. "Let's paddle the waves away. Liu Chi set these songs to music.
People in northern Shaanxi are straightforward, and all the joys and sorrows are expressed in appearance! Joy is nothing more than a "big swing", and sorrow and joy are "pink lotus". The funeral music we use on formal occasions today is also from folk music in northern Shaanxi.
/kloc-in the spring of 0/942, musicians Liu Chi and Zhang Lu from Lu Xun College of Literature and Art in Yan 'an went to Mizhi to collect folk songs with a delegation of river defense soldiers. I was particularly touched when I heard "Pink Lotus" played by suona artists.
Liu Chi and others adapted this suona song, which was played by a variety of folk music. It was used as a funeral music at Genghis Khan's Anling ceremony and Liu Zhidan's funeral ceremony and became the prototype of funeral music. 1956, in the music creation of the film Shangganling, Liu Chi once again adapted it into a funeral music for the double-tube orchestra to add gongs, which became a widely used funeral music in China.
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