Poetry is implicit and evil. China poets have always regarded implicit beauty as an important creative principle. The so-called implicit beauty is like Damu Liu Kui in Qing Dynasty.
Say: "There is a sentence on the sentence, or there is a sentence under the sentence, or there is a sentence in the sentence, or there is a sentence outside the sentence. There are few people who say it, and there are many people who don't say it. " The artistic realm he expounded is implicit beauty. Poetry with implicit beauty is not only concise and concise, but also vivid and full of artistic charm. Throughout the long river of China's ancient poetry, poets in past dynasties created implicit beauty in various ways, and the common ones are:
The subtle beauty brought by exquisite words. Good word refining can enrich the artistic conception of poetry, deepen the expression of poetry, obtain the artistic effect of enduring chewing, and thus enhance the implicit taste of poetry. For example, Wang Anshi's "Boating in Guazhou": "Guazhou in the mouth of Beijing is separated by a water, and Zhongshan is only separated by several mountains. The spring breeze is green in Jiang Nanan. When will the bright moon shine on me? " The word "green" in the poem is vividly used, which vividly depicts the great role of spring breeze and greatly adds the moving color of the poem, which is very interesting. Poets of all ages have admired the word "Ding Lian".
The implicit beauty brought by exquisite sentences. After a lot of trials and tribulations, sentences have become extremely concise sentences, which can contain extremely rich content, naturally resulting in the implicit beauty of poetry. For example, Wang Wei's "Send Yuan 20 An Xi": "It is said that the rain on the city is light and the guest house is green. I advise you to drink more wine. It makes no sense to go to Yangguan in the west. " This is a very famous farewell poem. In particular, three or four sentences are famous sentences throughout the ages. The third sentence is to persuade wine, and the word "Geng" shows the poet's diligence in persuading wine. The poet and his friends have drunk a lot, and the time of parting is getting closer and closer. Why do poets toast frequently? The fourth sentence expresses the poet's intention to persuade wine: "People have no reason to go out of Yangkansai." This sentence not only describes the loneliness of the traveler's future life, but also describes the poet's support and care for his friend's future life, and expresses the sincere and complicated feelings of both the traveler and the sender. The style of writing seems ordinary, but it contains the poet's strange and stirring feelings.
Create implicit beauty with metaphor. Clever use of metaphor can increase the multi-level color of poetic artistic conception, thus forming the salvation beauty of poetry. For example, Zhu Qingyu's "Boudoir Sacrifice to Zhang Shui Department": "The high-speed room stopped the red candle last night and waited for Tang Xiao to worship my aunt. After putting on makeup, I whispered to my husband, is thrush deep and fashionable? " This poem was written by the author near the exam. The author compares himself to the bride, teacher Zhang Shuibu to the groom, and the examiner to menstruation, and asks if the teacher can be admitted. Poetic expression is very implicit. No wonder many people in the past dynasties regarded this poem as a poem about a newly married woman. This is the implicit beauty of metaphor creation.
Create implicit beauty by symbolic means. The use of symbolism can also increase the multi-level color of poetic artistic conception, thus forming the implicit beauty of poetry. For example, Li Houzhu's "Night Cry": "Village flowers wither in spring and rush. Helpless, cold rain comes early and wind comes late. In the rouge room, everyone is drunk, but naturally they hate water. " The word "village flower" symbolizes oneself, and the beauty "rouge" symbolizes the country. The content is lamenting that he lost his country too quickly and hating that he could not restore it after losing his country. The poet dared not say it, but had to express his inner pain, so he used symbols to express his feelings. This is the use of symbolism to create implicit beauty. "I hate water for a long time" is a famous sentence throughout the ages, which has the beauty of metaphor and rhetoric.
Clever use of exaggeration to create implicit beauty. The good use of exaggeration is thought-provoking, attracting readers to find reasonable meaning and appreciate its beauty through seemingly unreasonable exaggeration. The most famous one who is afraid of reciting poems by exaggeration is Li Bai's Song of Autumn Pu: "White hair is three thousands of feet, and sorrow is like a long beard. I hope there is no autumn frost in the mirror. " The poem's "White Hair and Three thousands of feet" uses exaggeration to turn the invisible sorrow into tangible "white hair", which makes people really feel how deep and long the poet's sorrow is! This is the implicit beauty created by exaggeration.
Quote classics, implicit beauty. Allusions themselves are rich in meaning, and quoting allusions creates new ideas, forming a subtle beauty with a particularly far-reaching artistic conception. For example, Li Shangyin's "Jinse": "I wonder why my Jinse has fifty strings, each with a youthful interval. Daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed by emperors. Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun. A moment that should last forever has come and gone before I know it. " This poem is a famous poem praising love and sentimental life experience. The whole poem consists of four parts, and the middle two parts are tactfully expressed with allusions. The first pair of couplets, based on things, describes the author's pain of losing his wife and his unexpected feelings, while the allusion of "Zhuang Sheng dreams of butterflies" metaphors his long-term political ambitions and beautiful thoughts on love, which all become fleeting, just like a short-lived spring dream. Use the allusion of "cuckoo crying blood" to insinuate his deep sorrow and grief, so as to vent his anger and sadness. The allusion of "pearl lost in the sea" was used by the Necklace Association to imply that although he was in the Qing Dynasty, pearls were hidden at the bottom of the sea, which was useless at that time. Coupled with the death of his beloved wife, he is alone, and it is inevitable that there will be a sigh of "passage of time". Using the allusion "Lantian Liangyu" to imply that a person's talent is incoherent, but it is buried. However, the wording of the article will eventually shine in the world, and the ending couplet will end with a lyrical feeling, saying that one's sentimental feelings will be melancholy to today's memories, that is, when things happen, that is, when one feels unbearable melancholy! In poetry, the author does not express his thoughts directly, but expresses them euphemistically and implicitly with these allusions, so that readers can imagine and ponder, thus receiving thought-provoking and enduring effects, which is the implicit beauty created by quoting allusions.
Creating implicit beauty with puns. Punning techniques include homophonic pun and semantic pun. A sentence with homophonic puns literally means one thing, but between the lines it is another thing, so the sentence appears implicit and tasteful. Sentences that use semantic puns have both this meaning and that meaning, and the sentences are more subtle. The most representative poem that uses homophonic puns is Liu Yuxi's Zhi Zhu Ci: "Willow green Jiang Shuiping, the Langjiang River sings, the east rises and the west rains. The Tao is blind and has eyes. " "Qing" and "Qing" are homonyms and are puns. Literally, it means "sunny" and "affectionate", and the words are "heartless" and "affectionate" of lovers. To say that her beloved is "heartless" to herself, she shyly confesses to herself; To say "all sentient beings", her love is so vague and unpredictable. Poetry is implicit and tasteful. Using semantic puns to create poems with implicit beauty, such as Li Shangyin's "Jinse" mentioned earlier is a good example. In the poem, the couplet quoted the allusion of "Shen Zhu buried jade" and used the technique of semantic pun. The poet not only hurts his own life experience, but also mourns the fragrance of his beloved wife, so the poem contains rich and far-reaching significance and strong implicit beauty.
Use the ingenious connection before and after poetry to create implicit beauty. The poetic cohesion before and after a good poem is not only natural and close, but also unique. This ingenious connection constitutes the implicit beauty of poetry. For example, Wang Changling's "Out of the Great Wall" says: "The Qin Dynasty received the moon, but the Long March people did not return. But make Longcheng fly, and don't teach Huma to go to Yinshan. " The first two sentences are sighs of "how many people fought in ancient times", and the last two sentences are that as long as there are heroes like Li Guang, we can defend our country and stop the war, which obviously shows the author's admiration for ancient heroes and his desire to love peace. However, in connection with the meaning of the first two sentences, we can see that the author has a deeper meaning: The war has been fought for thousands of years, is it just because there has never been a hero like Li Guang? No, there are heroes like Li Guang, but the rulers don't pay attention to them. Li Guang in Han Dynasty was a hero who defended the frontier, but at the same time he was a tragic figure who was always frustrated under the oppression of powerful people. Even if there is a hero like Li Guang in later generations, his fate can be imagined. Here, the author actually expressed the heartfelt wishes of countless brave men for thousands of years, and made profound satire and criticism on the gloomy reality of feudal society. The meaning of this poem is deeply hidden and the expression is implicit, which is difficult to understand only literally. This is the implicit beauty created by using the ingenious connection before and after poetry.