"Dream of Love" became an instant hit, and the group leaders fully affirmed her performance strength. In order to let her get more exercise, deliberately give her the right big angle and small angle, which line is short of people. So Yanling plays Xiaosheng, Hua Dan, Tsing Yi and Lao Dan. A natural aura, no one can stop it. Yanling soon became the main actor and pillar of the troupe. Yan Ling knows very well that more performances can make him exercise more, and more accumulation can make him comfortable on the stage. Although the performance was very hard and tiring, she still took every role seriously and summed up her experience seriously. Yan Ling, who is highly motivated, is not willing to be a mediocre actress. He often said, "If you want to do something, do it well, or don't do it!" Therefore, in order to play every role well, she humbly asks for advice everywhere and makes use of the advantages of others to make up for her own shortcomings. There is no end to learning and no end to art.
1at the beginning of 992, she performed with Jiangsu Bangzi Troupe in Shanghai World. Inadvertently, she watched a performance by Shanghai Kunqu Opera Troupe, and Yanling was fascinated by a performance by teacher Wang Zhiquan, who is known as the "Queen of wudan". After returning to the dormitory, she helped her to contact teacher Wang Zhiquan and wanted to learn drama. After many contacts between the cultural bureaus of Xuzhou and Shanghai, 1992, Mr. Wang Zhiquan finally agreed to pass on his masterpiece "Saving Mother by Cutting Mountain" to Yan Ling. At that time, Yan Ling performed with the troupe in Shanghai, one in the afternoon and one in the evening. Yan Ling takes advantage of her morning break every day to squeeze more than an hour by bus to the Kunqu Opera Troupe to learn from Teacher Wang. A month passed in a hurry, and the performance of Shanghai Bangzi Troupe was over. Not content with learning only half of the art, Yan Ling decided to go to Shanghai again at her own expense. Her child had just turned one year old. Teacher Wang Zhiquan was moved by Yan Ling's spirit and took the initiative to help her contact the cheapest hotel and arrange for her to have a canteen in Shanghai Kun Theatre.
After returning from Shanghai, Yanling pondered how to use the essence of Kunqu opera for me. After some efforts, she skillfully transplanted the unique skills such as double swords, single axe and walking on the edge taught by her teacher into the performance skills of Bangzi opera, adding a long aria to the martial arts drama, which was refreshing. Yan Ling worked hard for three years for a ten-minute performance. 1994, she won the first prize of the 3rd Young Actors' Grand Prix in Xuzhou with this passbook play. In the same year, Teacher Wang Zhiquan, who never accepted apprentices of local operas, made an exception and accepted Yan Ling as an apprentice, and introduced, and Liang to her. Teacher Wang said that among all her students, Yanling is the poorest, but she is the most diligent, practical, passionate and energetic. That's what she likes
During 1995, Yan Ling took "Aquilaria Resinatum" to perform at Xuzhou Art Troupe in Japan. In the performance, she played the role of Aquilaria sinensis (a doll student). Because of her excellent performance, she is very charming, and people from all walks of life in Japan are surprised by her superb skills.
1996 The first youth drama festival in Jiangsu Province, starring Yan Ling, was a large-scale drama "Huashan Love and Hate" (adapted from "Lotus Lantern"). In this play, she played two roles, the former played the Three Virgin, and the latter played the small agarwood. On the stage of China traditional opera, she created two characters with different images and personalities in one play at the same time, which is unprecedented. This is a test and a self-challenge. She felt a lot of pressure when she read the script for the first time. The Three Virgin should fully show her dignity, composure, profundity, humanity and sense of justice in character, and show "love between man and god" in performance without losing her dignity. Yan Ling took pains to read the script, personally experienced it and really felt the role. In the first row, she took out a specific design plan and discussed it with the director for approval. For example, in the play, Liu Yanchang fainted under the altar, and the three Notre Dames gently moved to Liu Yanchang, showing her affection. At this time, the director suggested that there should be three kinds of emotions, including catwalk, figure, eyes and implicit rhyme, all of which should show the piety of the Three Notre Dames at this moment. Simply performing sentimentality can't accomplish the role task. When she entered the rehearsal field for the second time, she took out two sets of specific body movements and designed a long section of singing to see Liu Yanchang, and asked the director to make a final decision. Show her humility and devotion in order to find a good expression. In addition, in the scene of "saving the son and asking for a brother", she used the [stamping her head 28] of the Bangzi drama to strengthen and gradually transition to "cherishing the son", which spread out layer by layer, and then gradually sublimated from slow to fast, gradually singing the feelings of the Three Virgin here and now who are eager to save the son, showing the maternity that would rather suffer than save her life under the pressure of Huashan. During the performance, the judges spoke highly of this aria. Later, in the second half, Yan Ling shaped the corner of Little Aquilaria (Baby Life), sweeping away the implication and calmness of the Three Notre Dames in the first half, and vividly presenting the little Aquilaria full of baby breath to the audience; Because of her solid foundation, the application of difficult movements such as leg skill, spin or double sword, single axe and side walk is steady but not chaotic, reaching the artistic standards of double sword and one line, single axe and Yi Long, spinning like the wind, and leg skill over the head. Because Yan Ling has successfully created two completely different stage images, Three Virgin and Aquilaria sinensis, the whole play shines brilliantly. The judges agreed that Yan Ling's appearance was a gratifying achievement of the first Youth Drama Festival and awarded her the "Best Performance Award". At the end of the same year, Yan Ling took the whole troupe of actors to Xi to participate in the "National Bangzi Opera Exchange Performance" organized by the Ministry of Culture, and further processed and revised it. In this grand performance, Yan Ling won the "Excellent Performance Award" again with her good talent, solid artistic foundation, clear and high-pitched voice and skillful performance skills.
At this time, Yan Ling was already in her early thirties, so some people persuaded her that "there are many achievements and good family conditions, so it is time to rest." She always said sincerely: "I have lived on the stage since I was a child, and I have formed an indissoluble bond with the stage in my life." My greatest wish in this life is to learn more drama and act more; I am eager to give me more opportunities to let the audience know about me and our Jiangsu Bangzi Opera. When you really can't play, you have to take a group of students to carry forward the cause of Bangzi opera. "1999, she performed in Huashan and personal passbook dramas in Beijing with love and hate, and won the title of' Plum Blossom Award' in the 18th China Drama. She was ecstatic and tears flowed from her eyes. Liu Housheng, a dramatist, said, "I have seen Yan Ling's performance in Xi 'an. I was surprised to find that she was an excellent actress. I think she will come to the stage in Beijing sooner or later, and let more experts and audiences recognize her. Now I can say something not too harsh and get to know Yan Ling, which is a great gain for China opera circle ... Guo Hancheng, a drama theorist, said: "Jiangsu opera has become a beautiful landscape of Beijing School, with great influence." . Yan Ling is a very good and comprehensive actress. She is a gem of China opera. Our leaders at all levels should pay attention to caring for her, cultivating her and finding better scripts for her. "Then, the news that she won the Plum Blossom Award was reported by major media, and dozens of newspapers such as People's Daily, Beijing Daily, Yangzi Evening News and Xuzhou Daily successively published propaganda. Praise and comments poured in.
From then on, Yanling sang a song "My Subei Plain" on both sides of Huaihe River. She also created Li in the drama Another Village, and explained the touching image of a laid-off worker who constantly strives for self-improvement. When shooting TV series, in order to better shape the role, she went deep into the bottom to feel and experience the hardships of laid-off workers. The aria she designed is a household name and widely sung. The drama not only won the Jiangsu New Drama Award and her own outstanding performance award, but also won the 24th China TV "Flying Award".
Yan Ling is an unconventional person. She dares to innovate and try. In "Another Village", she borrowed from the "Clear Board" of Yang Opera, filled the blank of "Clear Board" of Bangzi Opera, and added a novel singing method. In 2000, the traditional drama "Three Cut Rouge Case" was resumed for the third time. The performance of the play was deeply loved by the audience, and it was continuously broadcast by CCTV, which had a deep influence on the people. But Yan Ling is not satisfied with the status quo. She is determined to rebuild the status quo. So, experts were asked to demonstrate and turn over the script and rearrange it. After some efforts, a brand-new "Three Broken Rouge Case" was presented to the audience and won six awards at the Jiangsu Drama Festival, which was a sensation. In her summary, there is such a passage: "I feel that no matter what I do, I will do it well as long as I put my heart into it."