Although ceramics and calligraphy art are two independent art categories, the paper writing represented by them has a profound historical origin from ancient times to the present, and they have the same artistic characteristics. Under modern conditions, ceramics and calligraphy art complement each other, and different ceramic shapes can be decorated with calligraphy in harmony with their styles, which makes ceramic art icing on the cake. Although the application of calligraphy art in ceramics is only in an auxiliary position, its function and significance can not be ignored, which deserves the attention and application of people engaged in ceramic art. Keywords: ceramics, calligraphy, artistic charm Introduction Ceramics is the art of mud and fire, and calligraphy is the art of pens containing ink. Art is interlinked. Ceramics and calligraphy originally belong to independent arts, but there is no lack of correspondence between them. The combination of ceramics and calligraphy art is undoubtedly icing on the cake for the viewer. The successful control of the two arts lies in the interpretation and deep excavation of the two arts, so as to achieve the perfection and unity of the comprehensive art. 1 the historical origin of ceramics and calligraphy; the origin of ceramics in China is very early. Since ancient times, there has been a saying that "Shennong made pottery" and "Kunwu made pottery". The origin of Chinese characters has a long history. Yangshao culture (Banpo type) as far away as six or seven thousand years ago, Dawenkou culture and Majiayao culture (Machang type) as far away as four or five thousand years ago, symbols are often used as notes on pottery, which seems to be the origin of Chinese characters. It can be seen that the origin of ancient ceramics has a very close relationship with characters from the beginning. During the Spring and Autumn Period and the Warring States Period, most of the pottery was engraved with seal characters, and the characters on the pottery became valuable materials for future generations to study the characters of the Warring States Period and the pottery industry. Most of the Qin terracotta warriors and horses are engraved with the names of craftsmen, such as "Xianyang Wu". Some fonts are seal script, while others are similar to Cao Li. The period of Three Kingdoms and Jin Dynasty was the stage of celadon popularization and development, and it was also the process of further perfecting and forming a model of ceramic calligraphy art. In the Tang Dynasty, the writing system of regular script, Cao Zhang, Dacao and running script was gradually improved, which was due to the prevalence of tea drinking. Calligraphy decorations appeared on pots and jars, with words and grass, all with the charm of great calligraphers Zhang Xu, Huai Su, Yan and Liu. Write more famous poems or the words "wine" and "tea", which are hearty, round, pure and natural, with different utensils and shapes, and have a very simple and simple aesthetic feeling. Calligraphy in Song Dynasty is a peak of China's calligraphy development, and the improvement of calligraphy art and social and cultural quality is reflected in the natural charm of "skillful but not clumsy" in ceramic modeling. Calligraphy decoration on ceramics naturally became an obvious feature of this period, and they were harmoniously and perfectly integrated. The wine vessels and tea sets decorated with calligraphy in Yaozhou Kiln also have the charm of "Su, Huang, Mi and Cai". Even the calligraphy decorative ceramics in Yuan, Ming and Qing Dynasties have become a unique artistic decorative form and aesthetic feeling, which has its spiritual harmony. Since the 1960s, with the enrichment and development of ceramic art, writing graduation thesis has broadened people's vision of ceramic art ... The combination style of ceramics and calligraphy has also appeared more and more, with more and more diversified expression methods and higher artistic taste. Calligraphy has gradually become a unique ceramic decoration. Many ceramic calligraphy works, either written with a pen, carved with a knife, glazed or unglazed, have their own styles. In recent years, ceramic artists all over the world have created a lot of excellent works by using different materials and technologies. For example, modern pottery in Foshan, Guangdong, colored glaze sculpture in Zibo, Shandong, ceramic calligraphy sculpture and word pile in Jingdezhen, Jiangxi and so on. These works make full use of the connection between the formal beauty of calligraphy and the beauty of ceramic materials in cultural connotation and form, and combine them harmoniously and naturally, opening up a new realm for the development of ceramic calligraphy art. From the development history of ceramics, from primitive pottery to painted pottery, painted pottery, and then to the development of ceramics, the mystery of ceramic art is deeply hidden in the manual mode handed down from generation to generation, and even more magically hidden in the individual experience from ingredients, painting, molding, decoration to firing. Therefore, like calligraphy, the principles, laws, patterns, styles and connotations of ceramics are also restricted by the cultural connotations and forms of China. In a word, the occurrence and development of ceramic arts and calligraphy art in China since ancient times has a long history and close relationship, which is a concrete reflection of the cultural, artistic and even political and economic conditions at that time. 2 The artistic features of ceramics and calligraphy Both ceramics and calligraphy are traditional arts of the Chinese nation. There are similarities in essence. Writing a master's thesis has many cultural connotations and harmonious aesthetic taste. First of all, both are plastic arts. Calligraphy expresses the author's emotional state of mind and character cultivation through the flow of lines. Ceramic modeling changes through the combination of various lines and surfaces, as well as the relationship between virtual and real space, volume and size, and the ups and downs of contours. , constitute the beauty of ceramic modeling. Secondly, from the aesthetic characteristics, both of them are the art of unity of practicality and artistry, and the art of unity of objectiveness and lyricism. Calligraphy has colorless and colorful pictures, and silent and harmonious music comes from the image of nature and is far away from it. The writer transforms his spiritual implication, life sentiment and aesthetic taste into lines that are vertical or closed, dry or moist, thick or thin, rigid or soft, and reflects people's aesthetic experience through the dry and dark personality factors of these pen and ink lines. Yang Xiong of the Han Dynasty said in Fa Yan: "Words are also, and the heart is also; Books, heart paintings. " In the Tang Dynasty, Sun believed that the art of calligraphy could express the feelings of calligraphers, that is, "to express their feelings and make them sad and happy". In the Qing Dynasty, Liu Xizai even made it clear that "a writer writes his will" and "calligraphy, like learning, like talent, like ambition, is like a person."