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"Mountain Flowing Water" was first popular in southern Zhejiang, and later became an excellent Zheng song widely circulated among the people. This song uses a unique technique of expression: for example, there are two tenors separated by two octaves in the first half, which shows the majestic, deep, solemn and noble charm of the mountain. In the second half, a series of octave jumping sixteenth notes and sliding calendars with different dynamics vividly show the artistic conception of flowing water and towering peaks. A few clear and transparent overtones remind people of the splashing scene of the mountain spring Ding Dong. The whole song has great momentum and profound artistic conception, but it also reveals a beautiful and feminine Jiangnan sentiment.

This article comes from the original link of "China Guqu Net":/guzheng/50.html.

Zhejiangzheng

Zhejiang Zheng, also known as Wulin Zheng, is popular in Zhejiang and Jiangsu. It is said that the Zheng was introduced to Jiankang (Nanjing) in the Eastern Jin Dynasty, which was more common in poetry and writing in the Tang Dynasty.

The traditional Zhejiang Zheng has only fifteen strings, and its length is about 1. 1 meter. The front and back panels are made of paulownia, and the tail of the kite is slightly inclined downward. The tuning of the strings is 5,665,438+023,5,665,438+023. Put it on the table and sit (or stand) to play. When playing, the thumb, forefinger and middle finger of the right hand wore nail boards made of horns (or tortoiseshell), but now it has changed, and the length of the * * * box of the Zheng has increased to about 1.65 meters. After the Moon Mountain was changed to an S-shape, the number of strings increased to 2 1 (the range was expanded to four octaves, and the interval was from D to D3); The texture of the string changed from silk string to a series of Zheng strings with different thicknesses wrapped in nylon silk. When playing, the nail board is fixed with a leather case, without tape. Most nail plates are made of tortoiseshell. The performance features such techniques as "big finger shaking", "four o'clock fast", "clip playing" and "lifting strings", and draws lessons from, learns from and integrates the performance techniques of pipa, sanxian, dulcimer and even western musical instruments.

The application of "finger shaking" in Zhejiang Zheng is played with the slight jitter of thumb, and its effect is very similar to that of bowstring instruments. Strictly speaking, this is not found in the traditional Zheng music of other schools, because the fingering or fingering of other schools actually uses the thumb as a relatively quick support and parting, while the fingering of Zhejiang Zheng shows its own characteristics, which is different from other schools. We can clearly see from two Zhejiang Zheng songs "Your Legend" and "Moon Height" that the former simulates the whistling sound of the horn by "shaking your fingers"; The latter showed continuous singing in the way of "flick of fingers".

Zhejiang Zheng music is closely related to the popular rap music Hangzhou Beach Spring. Hangzhou Beach Spring has three basic vocals: Adagio, Allegro and Allegro. As an accompaniment instrument, Zheng, accompanied by flowers, has gradually formed a distinctive "four-point" playing technique. From the technical point of view, it is also used in other schools of Zheng music, but it is not as prominent as Zhejiang Zheng, which obviously forms the performance characteristics and has a special name. The application of "Sifen" in Zhejiang Zheng music often gives people a lively and lively feeling, and it is also often used in some modern Zheng music.

Zhejiang Zheng music has a close relationship with Jiangnan silk and bamboo, and many tracks are the same. The silk and bamboo in the south of the Yangtze River are bright, delicate, beautiful and elegant. In Zhejiang Zheng music, such as Yun Qing and Four Harmony Ruyi, many of them retain the early form of Jiangnan music, with a faint earthy flavor, and use a lot of "four points" techniques. They outlined a series of Jiangnan folk paintings with clear timbre and brisk rhythm.

Another important part of Zhejiang Zheng music is some excellent traditional ancient music, most of which are pipa. For example, the height of the moon, your legend, Christina with swans and so on. "Thirteen sets are indispensable". These pieces of music have a wide range of themes and rich playing skills and techniques, such as the technique of holding the Zheng with both hands. In Thirteen Chords edited by Rong Zhai 18 14, the technique of holding the zither with both hands used by Mr. Wang Xunzhi, a famous Zhejiang zither, and his predecessor Mr. Jiang Yinzhuang in the 1920s has been recorded. Zhejiang Zheng is based on Thirteen Strings, Bamboo in the South of the Yangtze River and Hangtan, so the number of tracks has exceeded the system of 68 boards. Music has also developed from a single musical concept to a complex musical structure. In terms of playing style, the overall rhythm is bright, smooth and beautiful. At the same time, Zhejiang Zheng has a wide range of themes and rich techniques, and its style performance is not completely single. For example, the song "Mountains and Rivers Flowing Water" is widely spread all over the country, first spread in Zhejiang, and is an important repertoire taught by Zheng people in Zhejiang. The song "Mountain Flowing Water" is the first work of freehand brushwork, with a sonorous and simple rhyme. Lyricism by borrowing scenery is related to the story that Yu Boya and Zhong Ziqi became bosom friends.

There is no * * similarity in tune between "Mountain Flowing Water" by Zheng Song, Zhejiang and "Mountain Flowing Water" by Guqin, just different songs with the same name. In other schools of Zheng music, such as Bantouqu in Nanyang, Henan Province, it is called "Mountain Flowing Water"; Shandong Quartet Qin Yun, Bamboo in the Wind, Bell in the Quiet Night and Shu Yun are called "Four Songs", "Four Brocades" and "Mountains and Flowing Water".

For reference only.