After reading Zhu Ziqing's Spring, I can't help but feel that this is a cultural person who has recovered from a serious illness. Facing vilen, who is full of spring, he regained his self-confidence and self-esteem and weaved his ideal dream. This is an intellectual who has experienced "spiritual purgatory". In the warm embrace of nature, he was intoxicated with it, and his poems were full of imagination, and he felt a wonderful realm of "harmony between man and nature" and a spiritual impulse of "being a good person and constantly striving for self-improvement". He retired from the "crossroads" of the times and found his own "shelter" here. I always feel that Zhu Ziqing's "spring scenery" is not the warm and humid spring scenery in his hometown of Jiangsu and Zhejiang, nor the magnificent and abundant spring scenery in the northern suburbs, nor the sketch that the painter faithfully copied, but the artistic picture brewed by the writer under the inspiration and inspiration of nature. There are too many mind codes hidden in this picture.
Mr. Wu, an expert on Zhu Ziqing's research, said: "In many essays, Zhu Ziqing's management of poetic artistic conception is bleak, integrating the' emotion' of personality beauty with the' scenery' of natural beauty, creating an artistic realm in which emotion, scenery and scenery blend. The conception of this realm expresses self-personality as a whole, and takes wonderful images as the externalization means of personality, so in his works, natural beauty becomes the spiritual mimicry or symbolic portrayal of self-personality; Due to the attachment to natural beauty, individual's specific emotions and thoughts are poetically depicted or vaguely symbolized. How to create this artistic conception and complete the attachment and connection between natural beauty and personality beauty? In this regard, Zhu Ziqing inherited and carried forward the overall aesthetic grasp of the artistic spirit of expressing the spirit with form and focusing on the likeness of spirit. Under the guidance of the aesthetic ideal of' poetry can be complained', he produced a hidden color and a quiet style. " (Wu's "The Integration of the Ideal of Poetry Education and Personality", Literature Review No.3 1993) The profound meaning of Zhu Ziqing's prose, I think these words are profound. Zhu Ziqing belongs to the kind of person who is particularly sensitive to feelings, delicate and sincere, and has a unique affinity and appreciation for the changes of the four seasons, landscapes, flowers and birds, etc. His landscapes are often characterized by "I" in landscapes, "I" in landscapes and "I" in landscapes. Therefore, he should mobilize all his senses, thoughts and emotions, repeatedly taste, carefully choose words, and "use a pen like a tongue." It is precisely by putting all his life and personality into the form and spirit of nature that the beauty of nature and the beauty of his life are integrated. Different from Lu Xun, he took a detached critical attitude when describing nature, and even wrote the ugliness of nature. Unlike Zhou Zuoren, he was obsessed with describing nature and forgot himself, hoping to become a part of it. Zhu Ziqing is devoted and pious in the embrace of nature, but at the same time he is conscious and sober. From this point of view, he is the best in China's traditional culture of "harmony between man and nature" and "golden mean". In the concise prose "Spring", his personal integrity and aesthetic ideal are also reflected.
Looking forward to, looking forward to, the east wind is coming, and the pace of spring is approaching.
Everything looked like I had just woken up, and I opened my eyes with joy. The mountains moistened, the water rose and the sun blushed.
In all Zhu Ziqing's prose, it seems that it is rare to see such a clear, cheerful and wonderful work at the beginning. This is not the composition of an inexperienced teenager, but the meticulous work of a middle-aged intellectual who has suffered a lot. The author has such a state of mind and emotion, because he has found a feeling of a bright future after experiencing the darkest days. He is expressing his mood through beautiful spring scenery. "Expect, expect", the overlapping of verbs, is abrupt, powerful and urgent, suggesting his dark and depressed years and his hard pursuit of the future in that kind of suffering. Now that the light has finally arrived, how can he hold back his joy? "I just woke up and opened my eyes happily." This is a hazy scene in early spring, but isn't this his inner experience at the moment?
Zhu Ziqing shows a thriving, colorful and all-round spring in his works. The ground is a vast expanse of green grass, and the fields are peach trees, apricot trees and pear trees in full bloom. Among the blooming flowers, swarms of bees and butterflies are flying. In the sunny and warm sky, the gentle breeze blows, with the smell of earth, grass and flowers, full of all kinds of beautiful bird songs and the loud flute of the shepherd boy ... The author writes about nature vividly, comprehensively, thoroughly and poetically here. In this poetic spring scene, the author unloaded all the ideological and emotional burdens and plunged into this spring world, just like a child into his mother's arms. He wants to roll on the lush grass, play football, race and play games, and enjoy the liveliness and freedom of life. He used his vision, smell, hearing, imagination and fantasy to enjoy the beauty and caress of nature wholeheartedly. Here, nature is so beautiful, and people's lives have become so beautiful. In the beautiful nature, Zhu Ziqing deeply experienced the freedom, vitality and brilliance of life, and showed his childlike feelings and innocent personality.
But this wonderful life experience is temporary, even illusory. Zhu Ziqing believed in "instantaneism", regarded it as a good medicine to cure mental trauma, and knew that he was an intellectual and had many unshirkable obligations as an ordinary person. He wants to pursue a promising and valuable life, and he wants to improve his morality and personality carefully and even deliberately. So in the second half of "Spring", the cheerful tone of the work suddenly became soothing and quiet, and there were continuous spring rains, hazy evening scenes, people rushing for their lives and hard-working farmers. The transcendental natural landscape was skillfully transformed into a realistic picture, and Zhu Ziqing also returned to the wetland from the dream world. "Relax your muscles, be full of energy and do your job." "A year's plan lies in spring." I have just started, and I have plenty of time and hope. "Zhu Ziqing wrote here about people who rush about in the spring, and also wrote their own psychology, determination and hope.
The article is written here, in fact, you can stop. But Zhu Ziqing gave us an unexpected ending, which made the image of spring more complete and magnificent, and made Zhu Ziqing's life and personality more dazzling. He used three metaphors to praise spring and described it as a newborn doll, a beautiful girl and a strong young man. Make the soothing and quiet style suddenly vigorous and fresh, which closely echoes the beginning of the work; Slipping into the plain realistic situation, it suddenly pushed into the bright and cheerful artistic conception created by the first half of the work, and the whole artistic conception was connected again. The "newness", "beauty" and "vigor" of spring injected into Zhu Ziqing's whole body and mind, and Zhu Ziqing also melted into the whole spring and persisted under the guidance of spring. Zhu Ziqing was given a "new life".
In all Zhu Ziqing's essays, spring is a particularly obvious title in the evolution of style. What is the reason for this evolution? What is the special significance of this essay in Zhu Ziqing's creation? It is still worth exploring.