In 2004, the paper entitled "Dialogue-Towards Synthesis" was published in the monograph "Towards Synthesis".
In 2004, the third issue of Contemporary Art published the paper "Department-Review of Baitaling Barracks Exhibition".
In 2003, the paper "New Vision and New Media" was published in the second issue of China Fine Arts.
In 2002, Printmaking or Fine Arts was published in MeiyuanNo. 1 issue.
In 2002, the second issue of China Printmaking published the paper "General knowledge is the foundation and specialized knowledge is the purpose".
200 1 The paper "Extension and Extension" was published in the 8th issue of Art Watch.
200 1 The paper "Make the concept clear first" was published in the Art Essay published by People's Publishing House.
200 1 The paper Fortress Besieged in Sifang Town Dialect was published in the third issue of Jiangsu Pictorial.
In 2000, the paper "Conflict and Transcendence" was published in the sixth issue of The Artist.
In 2000, the paper "Teaching and Learning of Sketch Class" was published in "A Dialogue between Strength Teachers and Sketch Teaching".
In 2000, the paper "Reconstructing the New Concept of Printmaking Art" was published in the 4th issue of Meiyuan.
In 2000, the paper "Re-discussion on the new concept of printmaking art" was published in the fifth issue of Meiyuan.
In 2000, the paper "Standing on the Coincidence of Tradition and Modernity" was published in the eighth issue of The Artist.
1999 the paper "the premise of questioning modernity" was published in the second issue of Jiangsu Pictorial.
1999 The paper "Persistence and Impulse —— On the Future of University Art" was published in Contemporary University ArtNo. 12, and reprinted in the Journal of Nanyi.
1998 The paper "Megatrends" was published in the second issue of Meiyuan.
1998 The paper "Cheering for No Focus" was published in the artist's issue 12.
1998 The paper "Worry in Worry" was published in the 6th issue of Jiangsu Pictorial.
1996 published the paper "27 years of dreams come true-on Christopher's packaging art" in Jiangsu PictorialNo.1.
1992 The paper "Not a European Model-Comment on China Pioneer Art Exhibition" was published in the 6th issue of Jiangsu Pictorial.
1988 the paper "interpretation of the artistic spirit of the new academic school" was published in the second issue of "new art".
199 1 year monograph "copperplate prints and sketches" Hong Kong edition
1999 monograph "black and white history-China contemporary experimental ink painting" Hubei Fine Arts Publishing House
In 2000, the monograph Experimental Ink Painting was published in German.
In 2002, the monograph Overlapping Texture was published by Hebei Publishing House.