Xiaoqiu is an authentic descendant. Her voice and figure are in line with Cheng School, which is especially suitable for playing a chaste and fierce woman. For example, Wujiapo, Hosta, Sanniang's adopted son, Peacock flying southeast, Six Sons in the Snow, and Scolding Tang are all in harmony and have a plain love temperament.

Haiyan, she has a noble and self-admiring temperament, with a broad and bright voice, but full of charm. In Moon Hee, she returned to the Han Dynasty, high-fived, married in Yingtai, performed well in Chunqiu Pavilion and Yutangchun, although it is said that she has regressed greatly since she became Li Lao's teacher.

Li Peihong was born in wudan and performed car-scrapping. She acted in many plays, but none of them were enjoyable. Sometimes she can't play high notes, and sometimes she is really erratic, so even if she won the Magnolia Award, it's only because she performed thoughtfully!

Liu Guijuan insulted his legacy.

Tintin of Fire is very red, but if you carefully taste her taste, it's really not strong, maybe just like her voice. Her style, like Little Autumn, Tears on a Barren Mountain and Foal of Fire, has an elegant temperament. The new rehearsal was very successful. Broken Bridge and Butterfly Lovers were really wonderful. Her sleeves are really nice at first glance, but they are not attractive.