Third, appreciate Chinese painting and read pen and ink.

Chinese painting is dominated by ink, supplemented by color, which is its basic feature. The word pen and ink has almost become synonymous with Chinese painting, and it is a concerto of point, line and ink. There are five colors of ink, namely Jiao Mo, thick ink, heavy ink, light ink and clear ink, and countless subtle levels are formed between the five color levels. In the Tang Dynasty, Zhang Yanyuan talked about Mo: "The vegetation is full of glory, not waiting for painters, clouds and snow, lead powder and white, mountains are not waiting for turquoise, and the wind is not waiting for five colors. Therefore, it is full of rhyme and ink, which is called lofty sentiments. If you are interested in five colors, the image will be good. " It shows that ink painting can not only determine the image, separate light and shade, distance away, replace color, but also create the atmosphere of the picture. China painters are well aware of the essence of painting, and think that painting is dry if it is too dry, lifeless if it is too wet, and rigid if the ink remains unchanged. Therefore, several thick inks must be wetted with wet ink; A piece of wet ink must be reminded by dry ink. When looking at its face, it is often infected by the abstract rhyme of the overflow of the pen and ink in the picture, so as to see the specific form clearly. When we appreciate Chinese painting, we can see the inner rhythm and emotional ups and downs shown by brush strokes, and form a sense of rhythm and rhythm through the unified change of qi and force, which is also the touch of the painter's heartstrings. The strength, spirit and rhyme of the pen are organically unified, and the combination of strength, rhyme, qi and potential of the pen can be called the best pen.

Chinese painting consists of lines. Our ancestors thought that painting with dots is easy to be scattered and broken, while painting with pictures is easy to be blurred. Flat lines and lines are the easiest to capture the image and movement of objects, which is most suitable for giving full play to the characteristics of brush, rice paper and silk. It can be said that lines are the artistic language of China painters. The lines of painting have vitality. For thousands of years, artists in China have been writing lines with different textures and feelings, such as thick, straight, hard, dry, solid, slippery, simple and so on. With the gradual change, arrangement, combination, overlapping, division and echo of these emotional lines, many modeling forms have been formed in paintings. Rhythm, density, speed, reality, shade, dry and wet changes, as the ancients said, "autumn wind is dry, spring rain is moist", all show the artist's talent and artistic skills.

China's painting has accumulated splendid cultural resources of Chinese civilization with its unique modeling language, distinctive expression and unique cultural connotation. It has built a spiritual highland with its unique philosophy, aesthetic charm and cultural spirit. Excavate his more profound works of art.